January Round-Up – Book Reviews

FINALLY, I have fifteen minutes’ time to sit down, take a breath, and write the round-up of the books I read in January. It’s been an unbelievably hectic week, and what’s more, it promises to be quite a hectic weekend too, so I’d better get down to it before I fall asleep at the desk.

January has been a good month in that I got hold of quite a few interesting books, some of which I’d had my eye on for a bit. I read a grand total of ten books, which is not too bad, though I admit some of them were not as long as I would have liked. So, here goes:

1 The Moth – Catherine Cookson – 1 star out of 5
I started out the year by deciding to try and read something by this author, since I had previously watched a couple of movies transposed from her novels. The movies are maudlin and depressing, but I thought maybe the novels would be better…? No such luck, apart from being disgustingly predictable, the ‘heroine’ is nothing less than the usual damsel in distress, the ‘hero’ is the ‘charming man of low class’, and of course, though set in rural England, the story-line is completely boring. 

2 The Interpretation of Murder – Jed Rubenfeld – 3 Stars out of 5
Lovers of the Agatha Christie/Sherlock mysteries will love this one. Not to mention those who have studied, either professionally or in an amateurish way (as in my case) the theories of Sigmund Freud. Basically, a string of strange crimes and murders are investigated by a young psychoanalyst, who’s also a student of Freud. The plotline is quite good, but what I really loved was the apparent research and dedication the writer shows when describing America in the very early 20th century.

3 The Rottweiler – Ruth Rendell – 3 Stars out of 5
I just love anything by Ruth Rendell. The way she portrays her characters, and especially her study of the main character, which is usually the serial killer himself, is truly revealing. Creating a net of everyday happenings, while introducing a number of characters, most of whom all know each other, Rendell creates an enthralling and unsettling landscape where you realize each person you know, in the end, has something to hide.

4 The Green Mile – Stephen King – 4 Stars out of 5
I had watched the movie before, and I must be frank, read the book too, but it was such a long time ago, that I decided to refresh my memory a bit. And boy, was I glad I did. King’s suspenseful novels are always a joy, and this one in particular is pretty different from his usual work since there is hardly anything of the supernatural or fantastical in it. It is mostly a portrayal of racism, friendship, love, human behavior, not to mention a stark critique of society which leaves the reader feeling as though he’ll never be the same again after he’s read it.

5. The Great Gatsby – F. Scott Fitzgerald – 2 Stars out of 5
Ok, I know this is supposed to be like ‘the great American novel’, but seriously, I did not like the pace of writing, and the style much. I admit, if I hadn’t watched the movie before, I would have liked it even less. Yes, I get that it’s a portrayal of society’s hypocritical behavior, but still… I don’t know, I didn’t enjoy it as much as I thought I would.

6 – 10 – The other five books I read this month were five novels collected in one single thick volume which I finally managed to purchase online. The volume is in beautiful hard cover and all the novels in it are by the horror writer Susan Hill. These are:

Dolly – This novel had much promise but when I finished it, I felt as though the author could have been more specific or given us at least a partial answer to the weird happenings… 2 Stars out of 5

The Man in the Picture – This one was my favorite out of Hill’s five novels, it is evocative of Wilde’s ‘Picture of Dorian Grey’, as well as portraying decadent Venice and its masked balls, which is a subject which always wins me over…. 4 Stars out of 5

Printer Devil’s Court – Hmm I’m of two minds regarding this one. Again, I think it could have been explored more… 2 Stars out of 5

The Small Hand – Not bad, a ‘traditional’ ghost story with an old mansion, a man with a troubled past, and an unreliable narrator. 3 Stars out of 5

The Woman in Black – Yes of course I’ve watched the movie with Radcliffe, and the novel is much more toned down than that, still the atmosphere and the writing were breathtaking, though not as good, I think, as The Man in the Picture. So, 3 Stars out of 5

And that’s it! Right now I’m reading a book about Celtic Lore and Wicca, so it’s not a novel, but I will still include it in my February round-up next month. To be honest, I think the next round up will contain less books than this one, since I will be going to Germany for a week soon, and I doubt I will be reading much during that time as I will be too busy sightseeing!

Halloween Movies perfect for Kids!

Halloween also called All Hallow’s Eve and Samhain, this Autumn festival historically marks the end of harvest season and the beginning of Wintertime. Celtic and Gaelic traditions saw huge bonfires lit, as well as celebrations to mark the occasion. This is where the practice of dressing up comes from, since costumes were supposed to keep the cold, dark, evil spirits at bay by confusing them. It was the last festivity before the onset of the coldest months.

Today, we’re fortunate enough to live in a time where electricity, air-conditioners, heaters, and a marked jump in health institutions are enough to keep most of the cold chilly darkness under control. Nonetheless, we still celebrate Halloween. Apart from the usual parties, costume competitions, pumpkin fairs and trick-or-treating, many also take the opportunity to watch some good old horror movies to get into the mood.

Here are a number of some old favourite movies which I always make a point to watch during this time. These are not films of the slasher-horror type, but rather those which I associate with childhood, and which always leave me feeling of good cheer. Definitely ‘must-sees’ for all those with children and for those who can’t handle scary flicks!

The Tim Burton Quartet – The Nightmare before Christmas(1993), Corpse Bride (2005), Beetlejuice (1988) and Edward Scissorhands (1990). Tim Burton’s work is just perfect to watch cuddled on the sofa while a heavy rain lashes against the windowpanes. These dark fantasy movies are all, somehow or other, centred around Halloween. The first two mentioned are animated, full of catchy tunes and delightful characters. In fact, the ghouls, ghosts, skeletons and monsters aren’t scary at all. Although all of these movies are targeted at children, they also have dark sinister meanings which only adults will be able to appreciate, and which have nothing to do with Halloween and everything to do with the society we live in; a society which can be cruel and intolerant, and end up pressuring people into doing what is acceptable instead of being happy with their own individuality.

Hocus Pocus (1993) – I must admit, the Sanderson sisters have always been my favorite media witches. Especially Bettie Middler, who’s somehow perfect in her rendition of an angry yet funny medieval witch, who after being burnt at the stake, comes back to the present to take her revenge. Unfortunately, she and her sisters are totally unprepared for today’s world, not to mention today’s children, who are much pluckier and smarter than the ones she was used to.

The Addams Family (1991) – The stories of this eccentric, affectionate clan who don’t care what others might think about them have always been close to my heart, and the 1991 rendition with Angelica Houston as Morticia, Christopher Lloyd as Uncle Fester and Christina Ricci as Wednesday is just perfect in complementing Halloween. The Addams seem to live in a perennial Halloween all year round. Their neighbors think them strange, and society tries to shun them. And yet, they love and care for each other, especially when it matters the most.

To read the rest of the article, which was published on EVE magazine follow the direct link:- http://www.eve.com.mt/2016/10/26/halloween-movies-for-the-faint-hearted/

Susan Waitt’s Night Gallery – Halloween Interview

My first personal meeting with American artist Susan Waitt occurred some years ago at a private spiritually-themed event and reception, taking place in a certain ex-bordello in Valletta. Her colourful, vibrant outlook and curiosity immediately struck a chord. A Scorpio, the Connecticut-born artist worked as an illustrator for a Disney studio in Massachusetts, hosted her own American TV talk show and was an artistic director and writer for Liquorish TV, to name but a few of her achievements.

On the other hand, her gothic, surreal artwork seems to spell quite a different character; more dark, more mysterious, but still very intriguing. Waitt’s perception seems to filter and reproduce vagrant metaphysical ideas of succubi and the supernatural; sinister presences which may as well hide within each and every one of us, or even behind the closed door around the corner.

What prompted you to come to live in Malta?

Originally, I came here to co-organise an international conference on the consciousness of the Megalithic Temple builders, and somehow, I never left. I’ve lived in Malta for nine years.

From Disney artwork to the grotesque: How did one category of art evolve into the other?

The concept of the grotesque in art and literature speaks to something profoundly basic about human nature, and the nature of existence itself. In fact, Disney perfected for a general audience the interplay of paradoxical opposites such as fear and laughter, aggression and playfulness, and the merging of bizarre, carnivalesque atmospheres with rational and logical realities. Think of all the terrifying moments in Bambi, Peter Pan, and Snow White to name just a few animated feature films. My art evolved from this quite naturally, in that I felt like it was part of the whole circle of life, since the spectrum of experience was all there in Disney already.

 

Of course, I was always drawn to Bosch, Goya, Fuseli, Moreau, Dali and many other artists who portrayed what was dark, subterranean and wrapped in ineffable mystery. Now, having grown older and somewhat wearier of the world, it often appears to me that there are also precious gifts within the darkness of the human mind – depth, profundity, nuance and complexity. Intense contrasts of light and dark add a sense of drama and therefore a sense of awe. Awe is a key aspect of the experience of the sublime.

Is there a particular unifying theme within the exhibition?

I deliberately used Victorian Spiritualism and mediumistic séances together as a unifying trope or motif, because I felt it represented the collective desire of humanity to probe the unspeakable enigma at the centre of existence.

What is your method of creation?

For many years I painted in acrylics only, especially for large-scale mural projects. Now with my studio work, I usually first execute an unfinished acrylic under-painting, usually on a toned background and then finish in oils. When I was working as a commercial book illustrator for Disney and Fisher Price, I was constrained to lay out book galleys meticulously. That required sketching and sometimes re-sketching scenes and finishing with inks, water colours and airbrush. In recent years, I started executing artworks with the same absolute freedom and energy that I had usually reserved for my free-time sketching and doodling. I’m producing art directly onto the canvas now.

 

 

This article/interview appeared on EVE Magazine on 22.10.2016 – Please follow the link to read the rest of it: http://www.eve.com.mt/2016/10/22/susan-waitts-night-gallery-the-uncanny-the-sublime/

Insomnia

I cannot save you
While the blood rages and the heart moans
I cannot save you
As you look askance at the twisted vines
I cannot save you
Your gaze is too suspicious, your mind is too old

Let go
Of all those moments of rank belittilement
Let go
The gnashing thunder within your veins
Let go
Those tears of madness you are still hiding

You know
They clamor ever hungry for reprisal
You know
Your violent flame is roaring for more
You know
This is the reason why sleep flees

And yet
The pounding surf cannot be silent
And yet
That vortex of hate will not be still
And yet
Your eyes will always spit blood and flame

And that, is why
I cannot save you
Unless you save yourself
And dream

© M_Moonsong