Re-reading Narnia – Misogynistic but Pleasant

It’s 2018 and I’m sick in bed. For a change. 2017 was characterized with health problems and currently, 2018 doesn’t look to be much different. On the bright side, this gives me more time to read (and watch K-dramas).

Being in the mood for Xmassy children’s books to end the year, at the end of 2017 I started re-reading the Narnia books. I hadn’t read them in years and having purchased a second hand quasi-new copy at a very good price, thought this the perfect opportunity to do so.

If you have only watched the Narnia movies, you have missed a lot. In case you did not know this, there are a total of 7 Narnia books (and only 3 movies). Speaking of the movies, the first movie to come out, and the most famous of the Narnia books, is ‘The Lion, the Witch and the Wardrobe’. Although most people believe this to be the first book in the Narnia series, it is actually the second, that is, in Narnian chronological order. Let me explain – the American published Narnia books number the series in order of publication. And in that case, yes the ‘Wardrobe’ book would be the first one. C.S Lewis himself however, preferred to look at the books chronologically, meaning that ‘The Magician’s Nephew’ is to be considered the first book, which is how UK publishing houses do it.

I myself own a UK version of the box series (thank the Goddess), in which the books are numbered chronologically, which is how I prefer to read them. This means that the books should be read like this:

1. The Magician’s Nephew
2. The Lion, the Witch and the Wardrobe (Movie No. 1)
3. Prince Caspian (Movie No. 2)
4. The Voyage of the Dawn Treader (Movie No. 3)
5. The Horse and his Boy
6. The Silver Chair
7. The Last Battle

While books 2, 3 and 4, which were made into movies, tackle the adventures of the Pevensie children in Narnia, the other books concern other main characters. The Pevensie children feature in these books sometimes as well, but they mostly do this as Kings and Queens of Narnia and they are not the main characters.

I love the books HOWEVER there are some things which bug the hell out of me. For example, no one can deny that almost every book treats the female gender as though it was made of glass. This mentality is not surprising since the author was writing these books in the 1950s, however reading sentences like ‘it is a sad day when women must go to war’ really irritates me. War is ALWAYS terrible, no matter who actually fights in it. Also, why are the boys always given swords and weapons, while the girls have to make do with bows and small daggers, or even face seriously scary foes with no weapons at all??

As author Philip Pullman himself writes, these books are ‘monumentally disparaging of girls and women’. And what about the baddies who always seem to be powerful women who have gotten ‘above themselves’ defying the patriarchal institution of Aslan? I am of course talking about the White Witch and the Lady of the Green Kirtle. Prince Caspian’s wife, another powerful woman, is not even given a name in the series! The only ways she is referred to is as someone’s daughter or someone’s wife! Very disturbing to say the least!

That being said, another thing which irritates me is the whole Aslan – Jesus metaphor, but that’s just me and it is mostly portrayed in the last book… at least in my perspective since I tried to ignore it as much as possible till the end, and considered the whole thing as fantasy.

Apart from that, re-reading the series was a blast, and I also discovered echoes of Neil Gaiman, which leads me to believe that the series must have inspired Gaiman to write and develop certain ideas, such as the star-woman concept in ‘Stardust’ for example.

Nice!

Important Churches in Valletta

Valletta, Malta’s capital city, is a real testament to Malta’s Catholic faith. Built by the Order of the Knights of Saint John, which was a Catholic Military Order, the city became the capital one year after its construction was completed, that is, in 1571. A jewel of historic architecture, Valletta boasts more than 25 churches and chapels, most of which were originally first built during the 16th and 17th centuries, and which contain innumerable and priceless works of art.

First and foremost among these, one must surely mention Saint John’s Co-Cathedral. Found in Saint John Square and built in the 1570s, this co-cathedral is a distinct architectural treasure designed by the famed Maltese architect Girolamo Cassar, and decorated internally by the well-known Italian Baroque artist Mattia Preti. Although its intricately ornate interior is Baroque in style, the co-cathedral’s exterior is of the Mannerist style. It contains nine rich chapels, as well as notable works of art attributed to such painters as Caravaggio, as well as a number of medieval artifacts and tapestries. The floor is covered with inlaid marble tombstones, commemorating the more illustrious knights of the Order of Saint John, as well as a number of Grand Masters.

The Church of Our Lady of the Victories, situated in South Street, is not just the oldest Church in Valletta, but actually the first building to be completed in the city. Built to commemorate the victory of the Maltese and the Knights of the Order over the Ottoman invaders in the Great Siege of 1565, it was chosen by the Knights as their Parish Church at the time.

When one looks at Valletta’s imposing silhouette, one of the most visible features is surely the large round dome belonging to the Basilica of Our Lady of Mount Carmel, which is a UNESCO World Heritage site. Originally dedicated to Our Lady of the Annunciation, this church was given to the order of the Carmelites in the 17th century, after which it received its present patronage. The original structure was seriously damaged during the Second World War, leading to the facade being re-designed.

Although almost all churches in Valletta are Roman Catholic, one cannot fail to mention Saint Paul’s Pro-Cathedral, to be found in Independence Square. This Anglican Cathedral, commissioned in the 19th century, is one of three such Cathedrals within the Anglican Diocese of Gibraltar in Europe. Its 60 meter-long steeple is a landmark in Valletta, and it is predominantly neo-classical in style.

This article of mine was published on LivinginMalta.com – to read the rest of it, go here.

Easter Celebrations in Malta

Malta is a predominantly Catholic country, this means that most Maltese follow and adhere to a yearly religious calendar which gives importance to a number of recurring feasts and traditions. Among these, Easter is one of the most prominent periods, since it not only has a specific religious meaning, symbolizing the rising of Christ, but also coincides with the beginning of Spring, which also serves to bring new life in nature, better weather, a flourishing of crops, and add energy and verve to the life of each individual in general.

During this time, numerous processions, plays, marches and celebrations take place throughout the islands of Malta and Gozo, since here, Easter celebration can be said to be at a par with Christmas. As in most Mediterranean countries, Malta starts to officially celebrate the Easter period with Palm Sunday, which this year will be on Sunday 9th April. Many activities take place even before that, during Holy Week, which technically commences on the Friday preceding Good Friday, when the statue of Our Lady of Sorrows is carried in a procession through the streets of Valletta and many other towns and villages. This is a historic and traditional demonstration, where penitents who have made certain vows or asked for intercession from above, walk barefoot through the streets behind the procession, with chains and shackles tied to their feet as a symbol of their guilt and willingness to atone for their sins.

Prior to Good Friday, many believers also celebrate Maundy Thursday or, as it is known in Maltese, ‘Ħamis ix-Xirka’, whereby most churches are decorated with flowers, models of the last supper, pennons and other specific decorations. During Maundy Thursday, it is traditional for the devout to perform ‘The Seven Visits’, or ‘Is-Sebgħa Visti’, which entails visiting and praying at seven different churches. Maundy Thursday is also referred to as Holy Thursday or the Mass of the Chrism, since on this day, the Archbishop of Malta blesses the Holy Oils during a ceremony at St. John’s Cathedral in Valletta.

Good Friday, which is a National Public Holiday in Malta, is considered to be a serious and solemn occasion. Churches are adorned with dark colors, and several processions occur throughout most towns and villages in Malta and Gozo, where priests or devout carry different statues symbolizing the Passion of Christ. Most villages also prepare short dramas or plays, enacted by devout dressed as characters from the Bible. Processions are almost always accompanied by marching bands, playing funeral marches or religious songs.

The mood of the celebrations starts to change on Saturday evening. This is known as Holy Saturday and while starting in a somber manner, culminates with a celebration whereby all churches are illuminated with candles, lights, song and the tolling of the bells.

Easter Sunday, starts with a procession which commemorates the Risen Christ. The most famous of all such processions which take place around the island is surely the one which takes place in Valletta, and which is organised by the Confraternity of the Risen Christ, which traces its origins to the 17th century. The procession is a festive one, accompanied by beautiful traditional tunes and statues. Children also form an important part of the procession, carrying traditional foods and sweets, of which the most important is surely the ‘figolla’. This is a Maltese sugar and almond pastry which can only be found served in Maltese bakeries and confectioneries during the period of Easter, since it is synonymous with this feast.

© DDM

This article was published on LivingInMalta.com – to view the complete article go here.

Order

In the beaming of the Moon
the stars go on arolling
under his patriarchal eye
healthily aglowing

A stream, a glade, a shallow reef
they all spread out on yonder
beneath his benign fragile gaze
in fearful harmony and wonder

Nothing could ever break that look
surrounding them, so strictly
Nothing could ever distort the order
regimenting them so thickly

For his stern paternal gaze
is what keeps them in line
willy-nilly, it’s always there
ever controlling their shine

For what would happen without the Moon
in the dark of the endless sky?
What would the twinkling stars do
all alone up above so high?

How could their light reach over it all
with no shepherd there to guide them?
How could they find the way to go
with no sergeant to deride them?

It would be chaos! It would be wild!
There would be no end to it!
How they would dance, jump and cavort
for sure the globe would be too brightly lit!

No no, such things are not to happen
no play or song, no laughter or brightness, ever
The Moon is there as it has always been
Set the clock, turn around, yes forever

©M.A