The Boy with the Cuckoo-Clock Heart

“ I love you crookedly because my heart’s been unhinged from birth. The doctors gave me strict instructions not to fall in love: my fragile clockwork heart would never survive. But when you gave me a dose of love so powerful – far beyond my wildest dreams – that I felt able to confront anything for you, I decided to put my life in your hands.” 
― Mathias Malzieu, La Mécanique du cœur

‘The Boy with the Cuckoo-Clock Heart’, a metaphorical, sweet, and disturbing little book translated into English from French, is a Tim Burtonesque fable of the rarest kind. I purchased the book at the well-known historical bookshop Shakespeare and Co in Paris. Attracted by Benjamin Lacombe’s art on the cover (check some of it out here) I couldn’t not give it a go, and boy am I happy that I did!

Our story begins on a cold dark wintry night (of course it does), when an unkown woman gives birth to a very pale baby, delivered by ‘Dr Madeline’ also known as ‘the witch’ in a gothic house set on top of King Arthur’s Seat in Edinburgh. Because yes, this dark gothic tale is set in 19th century Scotland (and we even bump into Jack the Ripper at one point)! The baby is sickly, his heart is weak, and our steampunkish doctor decides to link the hardly-beating heart with a cuckoo-clock set right into the boy’s chest.

Three rules must always be kept:
1. Never touch the hands of the heart-clock
2. Keep your temper under control
3 Whatever else you do, never ever fall in love

Needless to say that during the course of his life, Jack breaks all three rules.

By the way, did I mention there is also an animated version of the book? And it is AMAZING. Yes, this is what happens when the author, Mathias Malzieu, is the leading singer of a French rock band – Dionysus. They created the music for the animated movie themselves of course. You can find some clips on Youtube (both in the original French version and translated to English). 

Oh yes, this book was a real discovery. Thank you Paris. Thank you Shakespeare and Co. Thank you Benjamin Lacombe. And most of all thank you so much Mathias Malzieu!

P.S If you loved Antoine de Saint-Exupéry’s ‘The Little Prince’, this book is right up your street.

Personal rating – 5 on 5 Stars!

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Interview?

If someone asked you to give a short interview on a T.V channel, and talk for ten minutes about a book of your choice – which book would you choose?

Currently I’m reading a terribly predictable short novel by James Herbert called ‘Lair’. One of those horror+soft porn mish-mashes which leave absolutely no room for surprise, and whose pedantic prose tends to drive me away from the pleasure of reading, straight into the waiting arms of yet another Korean drama (yes, I’m a K-drama fan). Which further leads to the prolonging of the torture of reading said novel.

Incidentally, the plot revolves around a group of man-eating gigantic mutant rats, led by a two-headed overweight monstrosity living underground… people get killed and eaten while our main character, a lonely rat-catcher with no seeming past or ties of any kind, begs the powers that be to take action, but instead gets mired in tedious bureaucracy while innocent farmers and children in the surrounding countryside get bitten, mauled, gnawed upon, and turned into pulp.

Not the sort of thing one talks about during an interview with one of the organizers of the Malta International Book-fair on an educational channel – viewed by children and families, and espousing a wholesome and ‘respectable’ attitude.

So, which book to choose? One of the Classics? How about Pride and Prejudice? Shall I wax lyrical on how mamas ‘used to’ fish around for the richest bachelor for their ‘tender damsels’ in need of husbands? Used to… yeah right.

How about Jane Eyre? Ugly, poor, unwanted girl leaves school and travels to a beautiful mansion with gothic undertones, to work as the governess of a perfect doll of a French girl with an attractive, rich, single uncle who’s VERY interested in the main character… hmm the theme of P&P seems to be hidden in this one, but still present.

Something more modern then… George R.R Martin’s book series A Song of Ice and Fire – most commonly known as Game of Thrones? Nah – that one’s been reviewed, blogged, vlogged and analysed ad nauseum.

Umm.. shall I give the interview a feminist flavor with Maya Angelou’s I Know Why the Caged Bird Sings and preach against racism, rape and domestic abuse? Hmm might open a can of worms with that one.

How about trying to impress and mentioning Nobel Prize winner for literature Orham Pamuk and his My Name is Red? Better not = I tried reading that one and to be honest the style of writing did not ring my bell, so I did not even finish it *cringe*…

Rowling? Auster? D.H Lawrence? Wilde?

Well, fretting is pointless. I’m too shy to appear on T.V anyways so I’m telling the guy no. Thanks very much but no. I’m not the kind of person who likes to be in the spotlight. Quite the opposite actually. So, panic-mode averted and introvert mode reinstated.

So much for that hehe.

On Creativity – Tropes and why we love them

A ‘trope’ is a recurrent literary theme, motif, or structure of a plot when it comes to writing novels and stories. Most tropes are presented by authors again and again, in differing formats and story-lines, and yet, though readers generally recognize them and sometimes even preempt certain happenings and resolutions, they still continue to prefer the same type of story-line and continue to read and enjoy such books and stories again and again.

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Most tropes are over-used, and yet, they still sell. Why? I must admit that I myself find that I tend to gravitate towards reading familiar tropes, especially when I’m in a certain mood where I need a nice comfortable reliable story… and yet… is writing a novel and basing it on this much-recycled outline acceptable? I mean – where is creativity?? And what about originality?

Take for example the Rags to Riches trope – here the main character is usually a young unknown person who, through some circumstance or other, ends up becoming rich and famous. Some well-known examples include Cinderella, Pretty Woman and Slum Dog Millionaire.

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Another well-known trope is the Love Triangle – this one actually needs no explanation does it? Everyone enjoys a good love story, but throw in some unrequited love, a couple of misunderstandings, a pinch of jealousy and heartache, and there it is, the usual popular T.V drama series cocktail!

A third trope, which never gets old, is what I call the Ugly Duckling story-line. Think about My Fair Lady, The Princess Diaries, Miss Congeniality or The Devil wears Prada, and you have it. Basically this kind of story also usually ends up becoming a ‘moral lesson’ = Unkept girl has a make-over and transforms into a beauty, then realizes that looks are not everything… but she still looks pretty now anyways.

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Want another one? How about the Unknown Hero who saves the World trope? I guess I don’t even need to give examples for this one… *cough*Spiderman*cough*Superman*cough*Marvelingeneral*

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And what about all those post-apocalyptic dystopian teen-movies which seem to add up all of the above?! The Hunger Games, The Maze Runner, Divergent, The Giver… ugh! I read the books before there was even a hint of any movie, and I realized early on that they were all the same, and yet I still gobbled them up! Why!?

I guess we all love the familiar, we all dream of becoming rich, popular heroes and that never changes.

Yet, artists, BEWARE. Writing/creating something familiar while portraying it in an entirely new and creative manner is one thing, re-writing the same thing over and over and over again, is another. ‘Familiar’ is a tricky word, since it is most often dangerously close to ‘mediocre’, not to mention ‘boring’. 

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The Reader

Her parents had no money to waste on books. Electricity and water bills arrived every couple of months, food had to be bought, not to mention stuff to clean the house and clothes with. Raising a child wasn’t cheap. 

When she turned twelve, she discovered ‘pocket money’. All the other children at school seemed to have it and had had it for years. They laughed at her for not knowing what it was. So did her cousins. 

Grabbing courage with two shaking hands, the child timidly went to her mother, and asked about it. After weeks of consultations – days and days of walking on tiptoe, of ‘being good or you can forget any pocket-money’, it was decided. Father gave mother money every week to buy food. She in turn would give the child two Maltese lira a week out of the food money. If she was good. And did as she was told. And did not ‘answer back’.

That money was her life-line. All it took was three weeks. Maybe four. And with her carefully saved hoard she could finally buy a book. One book. 

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The lady at the shop saw her every week. Maybe twice or three times each week even. Peering assiduously at the shelves. Hair tucked back. Pinching shoes forgotten as glistening eyes devoured each and every corner. Reading the book titles over and over again. Touching the pages, looking at the spines and covers. And of course, the blurps at the back. She must have known the sequencing of all the books on all the shelves by heart. And by the fourth week, when the price of the chosen book had been reached, the money would be handed over, as would the much awaited paper-wrapped treasure.

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In her room, she would unwrap it slowly, marveling at its heavenly smell. That particular scent of new paper and stationery. First, she’d introduce it to the other books, then the soft toys, one by one, each one by name. And finally, with a flourish, she’d present it to the room in general, imagining ovations and applause as the new addition to the small family was placed in its particularly chosen spot.

Then she would wait.

She waited for her father to go out. For her mother to be engrossed in one of her soaps on the T.V or in some long-winded conversation on the telephone. Then, and only then, would she crack the book’s spine.

And be lost.

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On Writing

There is a difference between writing facts and writing fiction. When you write facts, you write about things you have seen, experienced and felt. When you write fiction, you write about things you have invented, or imagined. On the other hand when you write imagined facts as though they were truths… well that’s either lying or you’re just copying and pasting other real writers’ stuff! lol

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This is basically the difference between being a writer, and being a mere ‘content filler’. 

I’ve had a number of offers, both locally and pertaining to online media, where either betting companies, or news-rags, just needed someone to fill-in some pages, either with adverts full of pre-determined phrases and compliments towards their products, or where the job consisted of just researching stuff online and putting it forward in another format. And I rejected them all. I’m not an automated content filler. I LOVE writing as a way of expression and a way to share my experiences and the things and places I love. So, no, I will never reduce writing and my capabilities to doing a mere job which any machine can do.

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Brandon Sanderson, when explaining the difference between a writer and a content-filler, gives the metaphor of the difference between a cook and a chef. The cook just wants to do a job, he follows a recipe to the detail, mechanically, always the same, and produces a cheese burger. The chef on the other hand, wants to express himself, he wants to create, he wants to change and evolve. He doesn’t mindlessly pour four ingredients into a mixing bowl to produce food, he wants to pour himself into something which others will love, and which will change them in turn. And that is the difference between a content filler and a writer.

A content filler is there only for the money. He doesn’t create anything. He copies and pastes. That’s easy.

A writer is writing because he not only enjoys it for its own sake, but because he NEEDS to write, in order to feel complete. Each time he writes, his emotions and experiences pour onto the page and fill it with character and color. This leaves part of him into everything he writes and creates. It is not easy, but it is fulfilling, interesting and wonderful.

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Each time someone asks me if I’m interested in a job as a content filler either using my own blog (this one) or their own magazine/website, I admit that I pause, and I admit that this is because of the pay. Let’s face it, who doesn’t need money? But the thing is, I have a good career and a good wage, and I never wrote for the money itself (though yes I do get paid), but mostly I write because I love it and I write only about things which interest me. So that is my priority, and each time I receive one of these offers, THIS is why I pause and ask myself, am I going to write this review/article because I will enjoy doing so, or just for the money? And this is what I suggest writers – those who love to write and do it to express themselves, to do.

Don’t sell yourself short. Don’t sell your art, because even if you say you are going to do it ‘once’, you will end up doing it again and again and in the end have no time to write what you really want.

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Write what you feel. Write about where you go, what you see, and about what happens to you. Write about your hobbies, your passions, your life. Don’t write fictions as though they were fact just because you are paid to – because yes readers DO notice the difference between those articles/stories which communicate real passion and real experiences, as opposed to the arid ones which just repeat already coined phrases ad infinitum.

It’s not easy, but in the end, it all boils down to your priorities. And to whether you are a real writer or not of course! 🙂 

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February Book Round-Up

I was going to write this post mentioning the books chronologically as I read them one after the other throughout the month, however then I decided to number them according to the order in which they touched me most.

  1. The book I read this month which I loved ‘best’ was actually the one I finished reading last, that is, yesterday evening. I had been looking forward to reading Carlos Ruiz Zafon‘s ‘The Shadow of the Wind‘ for quite some time, as I had heard it was very good, and as soon as I randomly came across the book last weekend at the public library, I knew I had some very full days ahead of me. I love reading books about people who love reading books, and therefore this novel was right up my street. ‘The Shadow of the Wind’ is a mystery, a love story, a gothic novel, a historic book about the war, a book describing the city of Barcelona, but most of all, it is a book about books and the obsession one person can feel towards them. The writing itself is mezmerising and beautiful. Truly an enchanting read which touched my heart. I give it 5 stars!

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2. Next up is Antoine de Saint Exupery‘s ‘The Little Prince‘ which I had watched as a little girl in anime-form, but had never read. It is an easy book to read. But no, it is not a children’s book, despite its appearance and pictures inside. It is in fact one of the most beautiful and insightful allegories I have ever read. And it is a novel I will always treasure. I am only sorry that I didn’t read it sooner, but better late than never. I know I will re-read it again, and again, and again. This book is almost a tie-in with the first one in fact. Again 5 stars!

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3. In third place, I’m not putting just one book, but actually three, since I started out February by continuing to read the ‘Ender’s Shadow’ series. I am of course referring to Orson Scott Card‘s ‘Shadow Puppets‘, ‘Shadow of the Giant‘ and ‘Shadows in Flight‘. As you know, I don’t usually go for sci-fi, but Card’s ‘Ender’ universe (for want of a better name) hooked me up years ago – what with political depth, emotional metaphors, religious insinuations and technical jargon, again it’s not my cup of tea… but… but… I’m just a sucker for character-development, and this series is just a master-piece. No, the ‘Shadow’ series is not as good as the ‘Ender’ one, I admit, still I really like most of the characters, not to mention Card’s writing and funny turn of phrase. So, definitely a 4 out of 5 stars for this series in general. 

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4. Following all this sci-fi, I turned my gaze to Rick Riordan‘s ‘Kane Chronicles’. Yup – from sci-fi to ‘ YA mythological fantasy’, quite a jump! But I really needed the breath of fresh air, plus I was missing some good references to Egyptian mythology. Riordan does a masterful job, especially when it comes to ancient history, however I must admit that his characters, especially the ‘teens’, DO come across as kind of flat. Admittedly this could be the result of reading a YA writer exactly after a diet of Card’s densely-packed characterization… but I still enjoyed the fast-paced story-line. I give it 3 – 4 stars.

So, in 4th place this month, I’m gonna place Riordan’s trilogy ‘The Red Pyramid’, ‘The Throne of Fire‘ and ‘The Serpent’s Shadow‘.

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5. Lastly, is another book I got from the local public library – ‘Big Little Lies‘ by Liane Moriarty. I can hear you scream ‘WHAT?’ Female Melodrama? ‘Desperate Housewives’ stuff? Again, not my usual genre, but after watching the T.V series and randomly spotting the novel at the library, I decided to try it out. It was quirky and funny and well-written, but, had it not been for the stellar performance given by the cast in the eponymous T.V series, I wouldn’t have given it one thought. Suffice it to say, it was entertaining, but I won’t be reading any more of Moriarty’s work in future. Again, I reiterate that she is a good writer BUT I don’t particularly enjoy this kind of plot. So, this book gets 3 stars.

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At the beginning of the year I had promised myself that I would try to read at least 8 books per month, that is, two books a week. Last month, I only managed to finish 7, which was below quota, however this month I managed 9, which makes up for January as well. I managed to read so much even though I was abroad on holiday for a week, which resulted in a lot of outings and me being too dead tired in the evening to read anything at all. So, yay me!

How I deal with Depression

When I’m in a bad place (emotionally speaking) I always turn to things which comfort me. This summer, I could not turn to comfort food, since I am trying to keep track of my calories. I did turn to my one and only, however I really did not want to be too clingy – the poor guy needs his space after single-handedly taking care of all the house chores, etc for the past two and a half-months, so I had to lay off in that sense. And that, of course, left ‘comfort-books‘!

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Some books are a guilty pleasure. As the years roll by, I read them again and again at studious intervals, associating certain books or book series to certain mind-sets. Now, don’t laugh at me, but I actually have a book which I like to read each year when the first big storm hits after an arid summer. The book in question is ‘I Capture the Castle’ by Dodie Smith. There is also a series of books I read when I’m feeling particularly witty or frolicksome (mainly Neil Gaiman), and books I just love to read at Christmas-time, because, you know, they put me in the mood. Whenever I am about to travel on holiday, I also try to find books with a story based in that particular country, and I always manage it! I really had a field day when I went to Venice (why do books set in Venice always seem to be erotic romances?), and of course, the UK is easy. And so on.

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Since this summer was a terrible one for me, as I had to spend most of it in bed and in pain due to health issues, I obviously gravitated towards those books which comforted me. The 10-book part series I read, is the one which first introduced me to epic fantasy books, and the one which made me fall in love with that style of writing when I was 13 years old. I am speaking about David Edding’s Belgariad (first five books) and Mallorean (another 5 books).

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Recently I discovered that these book series are considered to be YA. They were actually written in the 1980s, a time when the term and concept of YA novels wasn’t thought of yet. So even though some readers may consider them to be YA, I do not, as they are certainly not as vapid, mediocre or predictable as YA books usually are (yup, you got me, I hate YA books in general, though there are exceptions).

The plot is basically a bildunsgroman, that is, a coming of age story. We see Garion, a naive boy living on a farm, realize that the world, and the people around him are, and were never, what he believed them to be. The world is complicated, mysterious and wonderful, and Garion finds that he himself is a very special person, destined to change the course of the known world forever. I am not going to go into any more details as I do not want to give any spoilers. Suffice it to say that I really love the cast of characters presented by Eddings. Their repetitive banter may irritate one after a while – still I read all the 10 books in around 3 weeks (remember I’m house-bound here), so one must take that into account. The books are not as lengthy as the tomes I am used to, and the old Maltese Pound price tags attached to the covers make me even more nostalgic, remembering how happy I was about buying these first books out of my own pocket money. Books which, for the first time, no one had chosen for me because they were ‘what children read’, but which I had chosen for myself, deviating from the norm. 

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If you haven’t read the Belgarion and the Mallorean, I strongly suggest you do. They are not as popular or well-known as book series like Robert Jordan’s ‘Wheel of Time’ or George R. R. Martin’s ‘A Song of Ice and Fire’ (Game of Thrones), but they are still worth a read. Then again, I’m biased, hehe…

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January Round-Up – Book Reviews

FINALLY, I have fifteen minutes’ time to sit down, take a breath, and write the round-up of the books I read in January. It’s been an unbelievably hectic week, and what’s more, it promises to be quite a hectic weekend too, so I’d better get down to it before I fall asleep at the desk.

January has been a good month in that I got hold of quite a few interesting books, some of which I’d had my eye on for a bit. I read a grand total of ten books, which is not too bad, though I admit some of them were not as long as I would have liked. So, here goes:

1 The Moth – Catherine Cookson – 1 star out of 5
I started out the year by deciding to try and read something by this author, since I had previously watched a couple of movies transposed from her novels. The movies are maudlin and depressing, but I thought maybe the novels would be better…? No such luck, apart from being disgustingly predictable, the ‘heroine’ is nothing less than the usual damsel in distress, the ‘hero’ is the ‘charming man of low class’, and of course, though set in rural England, the story-line is completely boring. 

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2 The Interpretation of Murder – Jed Rubenfeld3 Stars out of 5
Lovers of the Agatha Christie/Sherlock mysteries will love this one. Not to mention those who have studied, either professionally or in an amateurish way (as in my case) the theories of Sigmund Freud. Basically, a string of strange crimes and murders are investigated by a young psychoanalyst, who’s also a student of Freud. The plotline is quite good, but what I really loved was the apparent research and dedication the writer shows when describing America in the very early 20th century.

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3 The Rottweiler – Ruth Rendell3 Stars out of 5
I just love anything by Ruth Rendell. The way she portrays her characters, and especially her study of the main character, which is usually the serial killer himself, is truly revealing. Creating a net of everyday happenings, while introducing a number of characters, most of whom all know each other, Rendell creates an enthralling and unsettling landscape where you realize each person you know, in the end, has something to hide.

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4 The Green Mile – Stephen King4 Stars out of 5
I had watched the movie before, and I must be frank, read the book too, but it was such a long time ago, that I decided to refresh my memory a bit. And boy, was I glad I did. King’s suspenseful novels are always a joy, and this one in particular is pretty different from his usual work since there is hardly anything of the supernatural or fantastical in it. It is mostly a portrayal of racism, friendship, love, human behavior, not to mention a stark critique of society which leaves the reader feeling as though he’ll never be the same again after he’s read it.

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5. The Great Gatsby – F. Scott Fitzgerald2 Stars out of 5
Ok, I know this is supposed to be like ‘the great American novel’, but seriously, I did not like the pace of writing, and the style much. I admit, if I hadn’t watched the movie before, I would have liked it even less. Yes, I get that it’s a portrayal of society’s hypocritical behavior, but still… I don’t know, I didn’t enjoy it as much as I thought I would.

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6 – 10 – The other five books I read this month were five novels collected in one single thick volume which I finally managed to purchase online. The volume is in beautiful hard cover and all the novels in it are by the horror writer Susan Hill. These are:

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Dolly – This novel had much promise but when I finished it, I felt as though the author could have been more specific or given us at least a partial answer to the weird happenings… 2 Stars out of 5

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The Man in the Picture – This one was my favorite out of Hill’s five novels, it is evocative of Wilde’s ‘Picture of Dorian Grey’, as well as portraying decadent Venice and its masked balls, which is a subject which always wins me over…. 4 Stars out of 5

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Printer Devil’s Court – Hmm I’m of two minds regarding this one. Again, I think it could have been explored more… 2 Stars out of 5

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The Small Hand – Not bad, a ‘traditional’ ghost story with an old mansion, a man with a troubled past, and an unreliable narrator. 3 Stars out of 5

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The Woman in Black – Yes of course I’ve watched the movie with Radcliffe, and the novel is much more toned down than that, still the atmosphere and the writing were breathtaking, though not as good, I think, as The Man in the Picture. So, 3 Stars out of 5

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And that’s it! Right now I’m reading a book about Celtic Lore and Wicca, so it’s not a novel, but I will still include it in my February round-up next month. To be honest, I think the next round up will contain less books than this one, since I will be going to Germany for a week soon, and I doubt I will be reading much during that time as I will be too busy sightseeing!

After Alice by Gregory Maguire – Review

We all know The Adventures of Alice in Wonderland. Penned by Oxford Professor Lewis Carroll (whose real name was actually Charles Lutwidge Dodgson) in 1865, this quirky children’s fantasy has inspired multitudes of adaptations, movies, artworks, music and even fashion styles.

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Having been an avid fan and reader of Gregory Maguire ever since I read his novel Wicked, which had inspired the popular musical, and his Confessions of an Ugly Stepsister, which is an adaptation of Cinderella, I immediately jumped at the chance to read his latest work, After Alice. As is apparent from the title itself, the story is inspired in part by Carroll’s Adventures in Wonderland, and yet, Alice is NOT in fact the narrator or the main character.

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We meet Ada, Alice’s neighbor, who was in fact very briefly mentioned by Alice herself in the eponymous tale. Ada is a troubled child, constrained by Victorian precepts and tenets and by her unconventional household. In hushed whispers, we hear that her mother is a drunk and possibly suffering from postnatal depression. Her father, the Vicar, scarcely takes any notice of her, her baby brother is a squalling brat, and her governess is a simpering fool. In short, Ada has to fend for herself. Her only friend is Alice, whom, Ada discovers, has disappeared.

Maguire paints a very vivid picture of Victorian England. On the one hand, we travel with a surprised Ada to Wonderland, trying to catch up with Alice whilst encountering the consequences of her passage. On the other hand, we also meet Lydia, Alice’s older sister, throughout whose eyes we face such issues as the slave trade, women’s rights, and the British Victorian mentality. Fantasy is interposed with reality in a very interesting narrative. Picturesque and informative, Maguire’s style is nostalgic to Carroll’s, and yet totally his own.

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Now for the negative part – I must be honest, I have mixed feelings regarding this novel. I started reading it with very high expectations, having previously already been wowed by Maguire’s fairytale adaptations, his ingenuity, creativity and whimsical perspective. Also, being an avid Alice in Wonderland aficionado, I generally try to read, watch, or purchase anything related to my favorite fairytale. While Maguire’s story was marvellously written and illuminating with regards to Victorian society and beliefs, I found it sadly lacking with regards to the Wonderland part of the narrative.

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Carroll’s iconic Wonderland is spectacularly special because it simply makes no sense. As the Cheshire Cat once maintains in Alice in Wonderland, “We are all mad here.” And that is the beauty of Wonderland and the point of fantasy and fairytales – they’re not realistic, because they don’t have to be. Maguire on the other hand, tries to make sense of Wonderland, introducing puns and explanations where none are needed. Wherever he cannot find an explanation, he merely copies characters, situations and almost entire dialogues from Carroll’s original novel.

This article has been published on EVE.COM.MT – If you want to read the complete review, please goto – http://www.eve.com.mt/2016/12/18/after-alice-a-book-review/

Susan Waitt’s Night Gallery – Halloween Interview

My first personal meeting with American artist Susan Waitt occurred some years ago at a private spiritually-themed event and reception, taking place in a certain ex-bordello in Valletta. Her colourful, vibrant outlook and curiosity immediately struck a chord. A Scorpio, the Connecticut-born artist worked as an illustrator for a Disney studio in Massachusetts, hosted her own American TV talk show and was an artistic director and writer for Liquorish TV, to name but a few of her achievements.

On the other hand, her gothic, surreal artwork seems to spell quite a different character; more dark, more mysterious, but still very intriguing. Waitt’s perception seems to filter and reproduce vagrant metaphysical ideas of succubi and the supernatural; sinister presences which may as well hide within each and every one of us, or even behind the closed door around the corner.

What prompted you to come to live in Malta?

Originally, I came here to co-organise an international conference on the consciousness of the Megalithic Temple builders, and somehow, I never left. I’ve lived in Malta for nine years.

From Disney artwork to the grotesque: How did one category of art evolve into the other?

The concept of the grotesque in art and literature speaks to something profoundly basic about human nature, and the nature of existence itself. In fact, Disney perfected for a general audience the interplay of paradoxical opposites such as fear and laughter, aggression and playfulness, and the merging of bizarre, carnivalesque atmospheres with rational and logical realities. Think of all the terrifying moments in Bambi, Peter Pan, and Snow White to name just a few animated feature films. My art evolved from this quite naturally, in that I felt like it was part of the whole circle of life, since the spectrum of experience was all there in Disney already.

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Of course, I was always drawn to Bosch, Goya, Fuseli, Moreau, Dali and many other artists who portrayed what was dark, subterranean and wrapped in ineffable mystery. Now, having grown older and somewhat wearier of the world, it often appears to me that there are also precious gifts within the darkness of the human mind – depth, profundity, nuance and complexity. Intense contrasts of light and dark add a sense of drama and therefore a sense of awe. Awe is a key aspect of the experience of the sublime.

tulpa-in-gothic-frame

Is there a particular unifying theme within the exhibition?

I deliberately used Victorian Spiritualism and mediumistic séances together as a unifying trope or motif, because I felt it represented the collective desire of humanity to probe the unspeakable enigma at the centre of existence.

What is your method of creation?

For many years I painted in acrylics only, especially for large-scale mural projects. Now with my studio work, I usually first execute an unfinished acrylic under-painting, usually on a toned background and then finish in oils. When I was working as a commercial book illustrator for Disney and Fisher Price, I was constrained to lay out book galleys meticulously. That required sketching and sometimes re-sketching scenes and finishing with inks, water colours and airbrush. In recent years, I started executing artworks with the same absolute freedom and energy that I had usually reserved for my free-time sketching and doodling. I’m producing art directly onto the canvas now.

medium-susan-waitt-1

 

 

This article/interview appeared on EVE Magazine on 22.10.2016 – Please follow the link to read the rest of it: http://www.eve.com.mt/2016/10/22/susan-waitts-night-gallery-the-uncanny-the-sublime/