Unmissable Museums in Valletta!

Valletta, Malta’s capital city, is a treasure-trove of Malta’s historical past, not to mention a virtual living exhibition embodying rich architecture, Maltese cultural heritage and educational entertainment. The sheer number of museums and exhibitions present in this city alone is enough to fill up more than a day in any visitor’s itinerary, and there are actually places which are surely unmissable to those who are interested in learning more about Malta’s and the Mediterranean region’s past.

The Grandmaster’s Palace

Built between the 16^th and 18^th century in the Mannerist style by the architect Gilormu Cassar, this served as the main palace for the Grandmaster of the Order of the Knights of Saint John, who at the time governed the island. There are two main entrances to the Palace, one found on Old Theatre Street, and the other on Merchant’s Street. It currently houses the Office of the President of Malta, The Palace State rooms and the Palace Armoury are run by Heritage Malta and open to the public. To note are also the famous Tapestry Hall, the State Dining Hall and the Ambassador’s Room.

Grandmaster’s Palace Courtyard – Pic Source: mymalta.guide

The Armory – Pic Source: Lonelyplanet.com

The National Museum of Archaeology

Housed in the Auberge de Provence in Republic Street, the Museum of Archaeology’s building itself is an architectural gem, having been built in 1571 in the Baroque style. The Museum hosts different exhibitions, the main of which are available all year long. The earliest artefacts on display date back to Malta’s Neolithic Period (5000BC). One can find artefacts originating from such sights as Għar Dalam, Skorba and Żebbuġ, as well as items pertaining to the Ħal Saflieni Hypogeum and the Xagħra Stone Circle among others. Of particular note are the ‘Sleeping Lady’ from the Ħal Saflieni Hypogeum and the ‘Venus of Malta’ from Ħaġar Qim.

The National War Museum

Situated in Fort St. Elmo, the National War Museum is one of the most popular museums on the island. It hosts exhibits relating to Malta’s military history ranging from the Bronze Age to present times, however is mostly features artillery pertaining to World War I and World War II. The building housing the Museum was originally a gunpowder magazine, which was converted into an armory in the 19^th century. Anti-aircraft gun crews were trained there during World War II.

The National War Museum – Pic Source: malta.com

The Knights Hospitalliers Museum

Located within the building of the Sacra Infermeria (Holy Infirmary) in the Malta Conference Centre, this small yet interesting exhibition focuses on the role and history of the Knights of the Order of St. John (or the Knights Hospitalliers) in the Maltese islands. Although the Conference Center is currently in use for other functions, the exhibition itself, located in the underground halls and corridors of the former 16^th century hospital used by the knights, is accessible to the public.

The National Museum of Fine Arts – Pic Source: myguidemalta.com

The National Museum of Fine Arts – Pic Source: myguidemalta.com

Although these mentioned are the most well-known of the museums in the capital city, there are a number of others which would be worthwhile visiting. These include the National Museum of Fine Arts, Malta’s Postal Museum in Archbishop Street, and Casa Rocca Piccola, a beautiful 16^th century Palace which houses original pieces and documents dating from the 16^th century to the present day, not to mention the largest private collection of antique Maltese costumes and the largest private collection of Maltese lace. This Palace is privately owned but also available to the public.

Where are the best areas for expats to live in Malta?

I am always glad to hear other people’s opinions about something which is close to me, or part of my everyday life. When we see and experience something every day for years, it becomes common place. For us, that is. It is always kind of refreshing to realize that what is normal for you, may be strange, new and/or seem different to other people.

When it comes to Malta, the island in the Mediterranean where I was born and bred, this is especially true. I have never lived anywhere else, the traditions, mentality, heritage, and geography of this tiny island are in my blood, and it always tickles me to no end when I see people from other countries or backgrounds land on these shores, look around them in wonder (or depreciation, depends who you ask), and start clicking madly on their cameras, or writing about it on their blogs. I am always curious to see and ponder these reactions, and maybe this is why some time ago I opted to become a member of a number of Facebook groups consisting mostly of expats living here, or people who are thinking about relocating to Malta.

The candid ideas, thoughts, issues and questions of someone who has never lived here before, or who has lived here for some time while having a different natal country, are very interesting and at times, quite educational. One also realizes that most queries, concerns and problems are shared and natural to ask before relocating to another country.

One of the most common issues tackled on these forums regards the best and/or worse areas to live in.

Although the Maltese archipelago is relatively a small one, it still offers a huge number of choices when it comes to residential opportunities. First and foremost, when choosing a place to live on the island, one must consider one’s wants and needs. If, for example, one wants to live near his or her place of work, that is quite understandable, and here the size of our island comes into play, since as Malta is not so large, almost everywhere can be said to be located within a stone’s throw of every other location. Traffic, of course, must always be taken into account, especially if one works in a central location such as Sliema or Valletta.

Working requirements aside, one must also consider whether s/he considers being close to the beach a priority, or whether s/he would prefer to be located in the city center. For people who wish to be near the sea, I would personally recommend finding a home either in the South, that is within such towns as Marsascala or Marsaxlokk, or else in the far North, that is in such towns as Mellieha, Qawra, or Bugibba. While accommodation can be cheaper in the South, one must also keep in mind that living in for example Mellieha has its advantages if one is interested in frequent trips to Malta’s sister island, Gozo, since this town is closer to the ferry than, say, Marsaxlokk. Again, the atmosphere of the North and South is quite different, in that the North offers opportunities to enjoy not only a multitude of beaches, but also a number of unspoilt countryside walks, however on the downside, since tourists tend to gravitate towards places such as Bugibba or Qawra, which offer a number of cheap hotels and services, relocating to the South would bring one closer to the original Maltese traditional way of life.

Those who prefer life in the city, such as students, business men or plain city gals and guys, tend to look for accommodation in places such as Sliema, Saint Julians or Valletta. Take it from me, this is a no-no. First of all, because flats and homes in general in these two cities are quite expensive, despite being mostly on the small-ish size, and secondly because, due to the onset of so many tourists and expats, daily amenities and convenience stores tend to be much more expensive than those one finds in other parts of the island. My suggestion would be to find more reasonably priced accommodation in towns such as Msida, Mosta, or Naxxar, which though not at the exact hub of Maltese high-life, are definitely more affordable. They are also quite close to the center.

One must also not forget the many ex-pats who relocate to our islands in order to enjoy a quite retirement. The tiny island of Gozo is perfect for those searching for peace and quiet. Its unspoilt panoramas, clear sandy beaches, and picturesque countryside offer a view into an older and more traditional way of life. Unfortunately however, Gozo is not such an attractive place for those looking for work, entertainment or new opportunities, as even the locals themselves struggle to find these, and often have to commute to Malta for work on a daily basis.

Should one wish to combine the bustle and hustle of a lively city, togather with historical heritage and Maltese tradition, I would suggest going to live in the Harbour area, most particularly in one of the ‘three cities’, that is, Bormla (Cospicua), Birgu (Vittoriosa) or Isla (Senglea). Apart from offering unparalleled seaviews, the Harbour area is also the showcase for some magnificent architecture. It is also a center of industry, and is quite close to the capital city of Valletta. 

Note: Part of this article, written by yours truly, was also published on the Expat online magazine LivingInMalta. The direct link can be found here.

Places to visit for FREE in Malta!

When people start thinking about going abroad on vacation, one of the first things they generally ask about, is whether the country they are interested in is ‘expensive’ or not. What they are referring to of course, is not the normal cost of living, since they will probably only be there for a week or two at the most, but whether tickets to interesting places and/or events are worth it, how much can dinner cost, and whether you have to break the bank every time you go out, if you really want to enjoy yourself.

Fortunately, many natural attractions and amazing places and events in our islands are either free of charge, or else very cheap to visit. Where you go and what you do depends, of course, on your own personal inclinations and preferences, however I feel quite safe in saying that there are places which no one can but appreciate.

1. Go to the beach – whether it’s summer, spring, winter or fall, Maltese beaches are always there free to be enjoyed by anyone. You can swim, snorkel, jog, have a picnic (making sure to take any litter with you), or even just enjoy a quick coffee while you look at the waves and meditate. No costs involved.

2. Visit the fish market at Marsaxlokk – taking place each Sunday morning, the Marsaxlokk market, though most famous for its freshly caught fish, offers many other treasures to be found by the intrepid explorer, within its quirky traditional stalls which meander around Marsaxlokk Bay. This is an open-air market, and therefore free to visit. Beware however, although most items are quite cheap, you may find yourself buying more than you bargained for!

3. Stroll around Valletta – rich in Baroque architecture, medieval heritage and photo opportunities, Valletta is perfect for those who wish to ‘look around’ without having to buy anything. Admire the Grand Harbor from the Upper Barrakka Gardens, visit Saint John’s Co-Cathedral and gawk at its artistic masterpieces, and take a look at the newly restored Triton’s Fountain. During 2018, Valletta is hosting the Valletta 2018 European Capital of Culture, which basically means that there are a myriad of free exhibitions, events, and open-air performances taking place around the city almost every week. Definitely not to be missed.

4. Explore San Anton Gardens – if you have children, or just love animals, this is surely the place to go. San Anton Gardens are located in central Attard and form part of the Presidential Palace. This beautiful very well kept botanic garden, houses both flora and fauna, and is interspersed with fountains, walkways, ponds and cosy corners. A very pretty place to go if you want to get away from the hustle and bustle of city-life.

5. Trekking – instead of spending money on a gym membership, why don’t you walk or hike while exploring the beautiful Maltese countryside? Whether it be Fomm ir-Riħ on Malta’s Western Coast, Dingli Cliffs situated in the Northern region, the South-eastern Delimara Peninsula or Għasri Valley in Gozo, the islands of Malta offer a vast array of natural places where one can stop and breathe the fresh air while taking a relaxing walk, or a more energetic jog.

6. Nightlife – During the summer, the Maltese islands flourish with the onset of weekly village festas dedicated to different patron saints and showing off the best of what traditional Malta has to offer. The fireworks, the night markets, the stalls, the entertainment, is all free, though of course once you smell a whiff of those freshly baked pastizzi, you’ll probably be tempted to open your wallet (don’t worry, this street food is quite cheap). In winter there are usually no festas, however there’s always Carnival in February and Easter in April, which always include a number of open-air evening activities. There are also a huge number of ‘Wine-fests’, and fairs focusing on particular products pertaining to specific localities throughout the year, such as the ‘Bread Festival’ in Qormi, the Pumpkin Festival in Manikata, the Chocolate Festival in Ħamrun or the Strawberry Festival in Mġarr. In case you hadn’t noticed, the Maltese do love their food!

This article was written by me and originally featured on the magazine LivingInMalta here.

Malta – The Tarxien Temples

Although cremation in Malta is still illegal at present, Malta’s oldest crematorium came into existence long before the Maltese Planning Authority itself. This was way back in 2,500 BC, when the Tarxien Temples, situated in the South Eastern region of Malta, were converted from a megalithic temple into a crematorium cemetery, in the early Bronze Age.

The Tarxien Temple archaeological complex is a UNESCO World Heritage Site and is one of the oldest temples in the Maltese Islands, dating back approximately to 3600BC. Following the discovery of the Tarxien Hypogeum in 1913 situated only 400 meters away, it was only natural for a particular farmer in the same area to feel curious after constantly striking large boulders while ploughing his fields only a year later. He therefore contacted the director of the National Museum, who started to work on the first dig of the site, and the center of the temple compound was discovered.

The Tarxien Temples consist of a complex of four different megalithic structures built between 3600 and 2500 BC. The oldest of the structures is located at the easternmost end of the site and is smaller than the others. Nearby, also facing the eastern side, is another temple with well-cut slab walls and ‘oracle-holes’. The temple on the southern side, which is the second oldest within the complex, is the one with the most extensive decorations, sporting relief art and spiral patterns as well as the lower part of the colossal statue of a skirted figure which surely portrayed what is known as ‘The Maltese Fat Lady’, the goddess of fertility worshipped in Neolithic times. What is known as the Central Temple, which was probably the last to be built, was constructed with a unique six-apse plan and contains evidence of arched roofing. The main altar is decorate with spiral designs and it is where animals were sacrificed to the goddess of fertility, as proven by the remains of animal horns and bones, as well as a flint knife, found underneath the altar by archaeologists. A flat slab embossed with animal drawings was also found.

During the later Bronze Age, the people became more warlike, and perhaps it was in relation to this that the southern temple was reconstructed into a cremation cemetery. Almost 2000 years afterwards, by the end of the Roman Period, the area became mostly fields.

The discovery of the temple complex at Tarxien did much to solidify Malta’s national identity as well as its historical and cultural heritage. In 2012, an elevated walkway was constructed with the scope of facilitating those visitors who wanted to admire this pre-historic site. In 2015, in a bid to preserve the stones of the temple from being further eroded due to the onset of time and inclement weather, a protective tent arching over the complex was completed, and the visitor’s center was also refurbished.

The Tarxien Temple is visited by around 100,000 people each year. Opening hours are from 9.00am to 17.00 from Monday to Sunday, with the last admission being at 16.30.

More information can be found here – http://heritagemalta.org/book-buy/admission-fees/

This article was written by me and originally published on the online magazine LivingInMalta. Click here to view the original.

Discovering Ħasan Cave – Malta

The cave of ‘Ħasan’ or ‘Għar Ħasan’, which, legend says, was once the hide-out of a 12th century Saracen rebel, lies within the cliff-bound coastline south of Birżebbuġa, 2 kilometres south-west of Kalafrana. Ħasan’s Cave is approximately 387 metres in length and is to be found 70 metres above sea-level.

The views from the cave itself are amazingly beautiful. Situated on a narrow precipice and commanding spectacular views of sheer rock-faces and brilliant blue sea, the experience is definitely worth the effort. To enter the cave, one can leave his/her car in the nearby parking lot, and then make his way up a number of steps heading up to a limestone cliff. One is then faced by a narrow path carved out of the cliff. There is a rail guard which the visitor can use to brace himself along the path, however if you are faint-hearted or afraid of heights, I’m sure it’s not going to be one of your favorite places. The brave Saracen in question did not even have this path, and legend tells us that he used a knotted rope tethered at the entrance to enter the cave.

Once you arrive to the main entrance, be sure to have a torch at hand. The main entrance to the cave itself is approximately 5 meters high and 6 meters wide, and the cave has these same dimensions for the first 20 meters or so. Unfortunately an iron-gate bars the access to the inner cave, probably due to possible danger. One can however, enter the man made circular chamber present near the eastern entrance. This small chamber has a stone bench around its edge and obvious pick marks on the wall. It is thought that this could be Ħasan’s own living quarters.

In the 1980s, a number of cave paintings were also discovered within the cave. The art was preserved beneath a stalagmitic layer, and although it was badly vandalised since its discovery, some of the rock art can still be seen. The original art was reproduced in manuscript-form, which is to be found at the Museum of Archaeology in Valletta.

There are a number of different versions of the legend of the cave. The most popular of these tells the story of the Saracen Ħasan who abducted a beautiful farm girl in the 11th century A.D, after the island of Malta was conquered by the Christians, and held her captive in the cave where he was hiding. This angered the locals, who investigated the Saracen’s whereabouts, found the cave, and attacked it together with some soldiers. The story has a tragic ending unfortunately, since, rather than be captured, Ħasan flung the girl into the churning sea below, and then jumped after her and committed suicide.

No one knows where this legend actually originated, and there is no written record of it, and no facts which lead one to suppose there is actually any truth in it at all. It is highly possible that some scavenger, escaped slave or even a criminal did in fact, live in the cave at some point, however one must suppose that the murder-suicide story is nothing but a cautionary tale for young girls.

While the area is currently cordoned off, due to the falling rocks of the cliff, intrepid hikers do somehow still find a way to enjoy and appreciate this picturesque spot. However if you are the adventurous type, I would definitely suggest not going alone, not only for safety reasons, but also because certain experiences, when shared, are much more precious.

This article was written by me and originally published on http://livinginmalta.com/places/hasan-cave-birzebbuga/

The Ancient Romans in Malta

In the year 218 B.C, at the beginning of the Second Punic War, the Roman Consul Titus Sempronius Longus invaded the Maltese islands while on his way to North Africa. It was this which led to the Maltese islands being considered part of the Roman province of Sicily, and having the status of an allied city (civitas foederata) within the Roman Empire. The natives of the islands were not regarded as a conquered people, but rather as allies of Rome, and this meant that the Maltese were able to keep their own laws, mint their own money, and sent their ambassadors or legates to Rome.

At the time, the Punic city of Maleth, located on present-day Mdina, the island’s old capital city, became known as Melite under Roman rule, and in fact became the hub of the island. Eventually, Melite was given the status of municipium, being granted the same rights as other Roman cities. The word Melite itself is Greek in origin, and refers to the island’s production of honey. At the time, the island served as a kind of haven from the hustle and bustle of Rome, which led to Roman citizens viewing it as a kind of resort in which to relax.

From a number of archaeological remains found, there is a clear indication that the defense system of the Maltese archipelago was much improved during this time. The main administrative and mercantile centers were located in the central part of Malta (today’s Rabat), the central part of Gozo (today’s Victoria and Citadel), as well as the Grand Harbour area. Archaeological excavations have unearthed various Roman structural remains of buildings, walls, columns and pottery in various parts of these localities. With regards to Melite (that is, Mdina), there are indications that show that cemeteries were located outside the city walls, for reasons of sanitation.

The most important Roman building found in the Rabat area is undoubtedly the Roman domus (or townhouse), which for a long time was commonly known as the Roman Villa. This was excavated for the first time in 1881. Other archaeological excavations were continued between 1920 and 1924, during which remains of other Roman houses and roads were brought to light. The most interesting part of the Roman domus is its peristyle, an open-air shaft surrounded by a colonnade of Doric style. This and the adjoining halls are decorated by a series of fine mosaic pavements that generally show abstract motifs. It is important to mention that a number of Roman statues, including two important busts of the Roman Imperial Period, were excavated in this house.

Another important find shows that the Punic temple of the goddess Ashtarte at Tas-Silġ, overlooking Marsaxlokk Bay, continued to be used for religious purposes during Roman times. The Romans in fact, re-dedicated this temple to the Roman goddess Juno, who was the counterpart of the Phoenician Astharte. During the excavations at Tas-Silġ, archaeologists unearthed hundreds of inscriptions.

It is also worthwhile mentioning that the remains a number of other Roman villas were found around Malta and Gozo, not to mention those of a Roman thermal complex at Għajn Tuffieħa which was uncovered in 1929. In certain parts of Malta, a number of circular towers, which at the time most probably served as watch towers, were also discovered. A number of structural remains of what appear to have been walls were also uncovered in various parts of Victoria, in Gozo. The Romans at the time also developed the way the local limestone was used and worked, this can be determined from a number of old quarries dating back to this particular period.

This article was written by me and originally published on LivingInMalta. To take a look, please go here.

Important Churches in Valletta

Valletta, Malta’s capital city, is a real testament to Malta’s Catholic faith. Built by the Order of the Knights of Saint John, which was a Catholic Military Order, the city became the capital one year after its construction was completed, that is, in 1571. A jewel of historic architecture, Valletta boasts more than 25 churches and chapels, most of which were originally first built during the 16th and 17th centuries, and which contain innumerable and priceless works of art.

First and foremost among these, one must surely mention Saint John’s Co-Cathedral. Found in Saint John Square and built in the 1570s, this co-cathedral is a distinct architectural treasure designed by the famed Maltese architect Girolamo Cassar, and decorated internally by the well-known Italian Baroque artist Mattia Preti. Although its intricately ornate interior is Baroque in style, the co-cathedral’s exterior is of the Mannerist style. It contains nine rich chapels, as well as notable works of art attributed to such painters as Caravaggio, as well as a number of medieval artifacts and tapestries. The floor is covered with inlaid marble tombstones, commemorating the more illustrious knights of the Order of Saint John, as well as a number of Grand Masters.

The Church of Our Lady of the Victories, situated in South Street, is not just the oldest Church in Valletta, but actually the first building to be completed in the city. Built to commemorate the victory of the Maltese and the Knights of the Order over the Ottoman invaders in the Great Siege of 1565, it was chosen by the Knights as their Parish Church at the time.

When one looks at Valletta’s imposing silhouette, one of the most visible features is surely the large round dome belonging to the Basilica of Our Lady of Mount Carmel, which is a UNESCO World Heritage site. Originally dedicated to Our Lady of the Annunciation, this church was given to the order of the Carmelites in the 17th century, after which it received its present patronage. The original structure was seriously damaged during the Second World War, leading to the facade being re-designed.

Although almost all churches in Valletta are Roman Catholic, one cannot fail to mention Saint Paul’s Pro-Cathedral, to be found in Independence Square. This Anglican Cathedral, commissioned in the 19th century, is one of three such Cathedrals within the Anglican Diocese of Gibraltar in Europe. Its 60 meter-long steeple is a landmark in Valletta, and it is predominantly neo-classical in style.

This article of mine was published on LivinginMalta.com – to read the rest of it, go here.

Għajnsielem and Fort Chambray

Għajnsielem, found on the southern coast of the island of Gozo, is the first village one meets as he leaves Mġarr Harbour towards the capital city of Victoria. The name of the village means ‘Peaceful Spring’, in reference to a number of natural springs in the area which were probably the reason why people settled here in the first place.

Għajnsielem became an official Parish in 1855, with its Patron Saint being Our Lady of Loreto, and the village feast being celebrated each year on the last Sunday of August. It is also interesting to note that the island of Comino falls under the responsibility of the local council of Għajnsielem.

Though Għajnsielem is not large, it contains many popular places of interest, most notably the Prehistoric Temples of ‘Tal-Imrejżeb’, ‘Tal-Qigħan’ Prehistoric Temple, Lourdes Chapel, Mġarr ix-Xini Tower, Saint Cecilia Tower and Chapel, and Fort Chambray amongst others.

Fort Chambray is an old fortress built at the top of a hill called ‘Ras it-Tafal’, or Blue Clay Point, which is situated between Mġarr Harbour and x-Xatt l-Aħmar. It started to be constructed in the year 1722, during the reign of Grand Master Antoine Manuel de Vilhena (1722 – 1736) of the Order of Saint John. Originally, the idea for building the Fort was for it to be a starting point to build a new capital city to replace the Citadel (Ċittadella), however this plan never came to fruition, and in fact the actual completion of the fort was shelved for some time due to lack of funds. It was in 1749 that a Norman Count of the Order of Saint John named Francois Chambray offered to finance the full expense of the construction, which is why the fort was named after him. During that time, the islands were under the governance of the Grand Master Manuel Pinto de Fonseca (1741 – 1773). The Fort was built in order to safeguard the island of Gozo from pirates, and it was finally completed in 1758. It was used to house the Government’s Palace, administration buildings, and a chapel.

In 1798, Fort Chambray saw its first military use, during the French invasion of the Maltese Islands. The knight De Megrigny, who at the time commanded the Fort, offered it as a place of shelter for many Gozitans, who took refuge inside with their livestock and possessions.

Unfortunately, the Fort was later forced to surrender, after which it was manned by a French garrison. Months later, the Gozitans rebelled and re-took possession of the Fort…

This article was published on LivingInMalta – to read the rest of it, please go here.

The History of the Maltese Carnival

Carnival in Malta has a long history. The word itself originates from the Italian phrase ‘carne vale’, which means ‘meat is allowed’, since Carnival itself is usually celebrated before the start of Lent, during which meat consumption was not permitted by the Catholic church.

Although the origins of Carnival themselves have pagan roots, tracing back to the follies of the Roman Saturnalia and beyond, we first find actual traces of it in the Maltese islands as of the 1400s, as records were found at the general hospital which indicate that patients were given special meals for this festivity. Food and drink in fact are an important aspect of Carnival, as is the wearing of masks and costumes, signifying the suspension of the normal order of things where social class was all-defining. During Carnival, everyone could make merry. It was a time for jokes, laughter and pranks.

Carnival festivities increased during the time of the Order of Saint John, and the traditional ‘parata’, the sword-dance marking the victory of the Maltese and the Knights against the Turks during the siege of 1565, was introduced. The ‘kukkanja’ was also introduced at this time, this was a sort of game whereby all sorts of food and sweets were tied to a tree-trunk, and the general public was allowed to run and climb the trunk to pick items of food as presents.

Carnival started to decline during the 19th century when the British governed the islands, as it was not part of British culture, however it still managed to survive. ‘Veljuni’ or masked balls were held in major theaters around Valletta, and even the British governor used to take part in the revelry. When Malta was granted the Constitution in 1921, Carnival evolved even further. Since 1926, outdoor Carnival festivities started being organised in Valletta by special committee. Carnival started to include a défilé of floats, carts and cabs featuring imaginary colorful figures, manned by young people in costume who would blow whistles, throw colored confetti, sound horns and jeer at the crowd while wearing beautifully crafted costumes. Shops or organisations sponsored these floats and they used the event also as an advertisement for their products. In fact, carnival boosts business since street hawkers, vendors and shopkeepers, not to mention bakers, start to plan for it well in advance.

Up to 1974, a part of Valletta’s main square was fenced to create an enclosure which offered space for dancing. Later, the enclosure was relocated to Freedom Square, however when this was closed for the building of Parliament, the enclosure was taken back to Saint George Square.

Many people could be seen masquerading through the streets as of pre-war days. Some dressed up as ghosts, demons, clowns and fairies, while others simply wore masks. The Maltese Carnival always contained an element of political satire. Grotesquely costume masquers, not to mention floats or ‘karrijiet’ which derided and caricatured particular events and prominent figures, were and are plentiful during this time.

This article was published on LivingInMalta.com – a complete version of it can be found here.

Maltese Door Knockers

One cannot visit Malta without noticing the typical Maltese architecture prevalent in most cities and villages around the islands. When it comes to the embellishment of their traditional houses and monuments, the Maltese are one of the most colourful and creative country in Europe, decorating their facades with picturesque balconies, sculptured windows and shutters, and whimsical door-knockers.

History tells us that in pre-medieval and early medieval times, people did not knock on doors, but in fact used to scratch at them in order to announce their presence. Today, this may sound very strange and unpractical, yet one must remember that few if any Maltese used to actually lock their doors at the time, and that bashing at one’s facade was considered quite rude.

With the passage of time, the practice of scratching at doors was replaced with knocking, and this is how the “ħabbata” or door knocker, entered the picture. These door-knockers, which were available in numerous motifs, shapes and sizes, were to be found on every town house and dwelling, and helped the residents to either open or close their doors more easily. Door knockers could be made of ceramic, metal, or even brass, and each door usually had two of them – one on each side, or wing, of the main door, which was thus given a more stately and elegant look.

At the time, these door knockers were very important in that they served as a symbol of the status of the family who lived within the walls of the particular house. Knockers consisting merely of a plain ring denoted a simple family, whereas more elaborate rich knockers were a sign of affluence and power. The door knockers also reflected the personality and even the work or history of the family, in that they could portray the family crest or an allusion to it.

There are different types of door knockers in Malta.The traditional type consists of a ball or boss with holes at the side, from which a heavy semi-circular ring hangs. Usually in the middle of this ring, there is a small ball which hits against a round boss fixed to the door at a lower level. These types of knockers, which were often coloured black, could be found on all types of urban or rural buildings, even farmhouses. With time, more elaborate door knockers started to be crafted or imported. Sometimes the knocker ball was transformed into the head of a slave, an animal, a gargoyle, or a family crest. These would have holes in their faces or main part, from which a semi-circular ring hung. The sea-faring nature of the island was reflected in many of the most recurrent motifs like dolphins, seahorses, and sirens.

The upper classes and the members of the aristocracy had large baroque brass door knockers fixed to their main doors, in order to impress any visitor who might come to call. Door knockers also advertised the level of cleanliness of the house, as their shine would show the visitor that the family could employ maids who took care to polish and wax such decorations regularly.

As time passed, mechanical doorbells and intercoms started to take the place of door knockers, in that these were actually cheaper and produced a louder sound. Nonetheless, many people not only maintain the traditional knockers, but also continue to commission new designs, in a bid to conserve and highlight the unique identity of Malta, and preserve its heritage.

Just take a relaxed stroll down the idyllic cobbled streets of Valletta, Mdina or Cittadella, not to mention other typical villages like Qormi or Birkirkara, and you will certainly have the opportunity to admire many of these authentic works of art.

This article of mine was published on http://livinginmalta.com/miscellaneuos/maltese-door-knocker/