In Love with the 80s

If you had the choice of re-living your childhood and teenage years, and could choose the particular decade during which to enjoy them… would you? And which decade would you choose?

Baccombed wild hair, puffy tulle skirts, pink scrunchies, men wearing heavy make-up, others stroking screeching guitars as though they were lovers, skintight leather trousers, shoulder-padded blazers, bubblegum and legwarmers. No it’s not a drag-queen’s parade – it’s the 80s!

Ever since I can remember, I have always been in love with the 80s. The movies, the video games, the music, the pop-culture, the anime, the clothes (especially the Madonna phase)…. Taking into account that I was born in the mid-80s, and therefore don’t remember a thing about actually living during this decade, since I was a toddler at the time, this kind of retro-nostalgia might not be understandable to others. After all, why yearn for slower services, archaic I.T, and vanilla sitcoms right? Still, when I look at the ingenious convoluted plots of 80s movies, as opposed to the boring recurring tropes featuring semi-nude women, sex scenes, car chases and gratuitous violence… without a shred of innovation or creativity, presented to viewers today, it is no wonder I end up re-watching old 80s, and sometimes 90s films over and over again.

And what to say about the music? David Bowie, Queen, Siouxie and the Banshees, Black Sabbath, Def Leppard, Madonna, Guns n Roses, Van Halen, AC/DC, Twisted Sister, Whitesnake, Kiss, Scorpions, Eurythmics… need I go on? Who do we have now? Justin Bieber? Miley Cyrus? Kanye West? Oh please…

I don’t doubt that there are great and talented artists out there. But does today’s entertainment culture give them prominence as it should? I’ll leave you to answer that yourselves shall I?

Two days ago, I finished reading Cline’s amazing book ‘Ready Player One’. And it was a blast. The movie? I liked it and watched it twice… before I had actually read the novel. Now? Let’s say I think I’ll be considering the movie and the novel as two separate entities, rather than one. Yes, the movie does derive from the book, BUT apart from holding to the mostly-right cliche that ‘The book is always better than the movie’, I have to say that the characters, plot-lines, adventures and contents of the movie vs book itself are vastly different. And yes, the book is much better. Especially if you are a sucker for the 80s like me. And a movie-geek. And love video games. And are an otaku. And a geek. And a nerd.

I think you’ve realized by now that even though I finished reading the book more than 48 hours ago, I am still MASSIVELY HYPED UP about it.

Time to listen to some good 80s music and re-watch ‘Back to the Future’ or ‘Bladerunner’!

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Black Water – Music EP Review

Giving voice to what most of us think and feel, singer and artist Chellcy Reitsma, at 42, is surely wiser than most. Born in California and now living in Malta, Chellcy’s easy smile and vibrant persona belie a passionate spirit which needs to be heard.

This need for communication is perfectly expressed through her strong deep voice, which, backed by the haunting sound of the harmonica keening a sad lullaby, forms the backbone of her latest EP Black Water, released by Railway Studios last October.

Chellcy Reitsma. Photo: Federico Peltretti

Chellcy Reitsma. Photo: Federico Peltretti

Containing four tracks, including the song which lends the EP its name, as well as an original poem the artist wrote herself, this EP is one of an escalating set of steps in the singer’s career, which began when she was very young.

Ascribing her love to music and dance to her family’s influence, Chellcy first stared out as a visual artist and a dancer, and only later evolved as a singer, releasing Blue her first single, in 2016. A mixture of jazz and blues, Blue, gave way to her second single The Three of Us released by Beehive Studios a year later.

Chellcy is currently producing and managing artistic, cultural and educational events and projects. Black Water was released as a single last June and, as the singer herself describes, its main themes of personal empowerment, strength and determination pervade throughout all the tracks which make up the EP itself.

Can you describe your past career as an artist? 

In the past I devoted my entire life to visual ars and dancing. When it comes to visual arts, I took large mural commissions both in California and in Chicago, sold my paintings and drawings to collectors and held large exhibitions at fine galleries in northern and central California and Chicago.

I am still active in my artistic career, even more so now that I had to retire from dancing due to health reasons. I started focusing on dancing as a career in 2004 in Chicago and opened a dance company called Fringe Benefits directly after graduating.

This focused on contemporary dance fused with Egyptian dance styles, folkloric styles, Spanish and flamenco fusions of all three genres, and Samba. I toured around Europe and North America teaching dance and choreography, and performing dances both solo and with bands at dance conferences, festivals, cultural events, and educational events.

I opened a second branch of my dance company in Malta in 2008. In 2012, I closed my company in Chicago when I relocated full-time to Malta as it became too cumbersome to manage both, and in 2016, my assistant took over the dance company in Malta since I had to retire from dancing due to physical injuries.

Why did you relocate to Malta? 

I first started coming here intermittently as of December 2005 as a dance instructor and performer. Then I decided to move here because I fell in love with Malta, and started the long migration process in 2009. In 2011 I met the man who is now my husband, who is Maltese, and whom I married in 2013. 

What are you working on at the moment?

I am working on a music project with composer Tom Borg from the band Hunting Cain, as well as developing a large visual art exhibition with Finnish artist Merja Brinon, which will be showing at Spazu Kreattiv in 2019 in Malta and in 2020 in Spain and Finland.

I will be travelling to Finland later in the year to work with Brinon in developing our artistic collaborations, concepts, and location scouting.

The track Black Water seems to paint the image of someone looking at the past. Is there a hidden message?

The EP and the song itself were inspired by my move from Chicago to Malta – letting go of the past and moving on from relationships that ended. There is a lot of sadness in these songs, but also hope and resolution. The whole EP is about moving forward, taking control of your life and overcoming your fears.

Note: This interview was done by me and officially published on The Sunday Times of Malta on the 6th of January 2019

The Boy with the Cuckoo-Clock Heart

“ I love you crookedly because my heart’s been unhinged from birth. The doctors gave me strict instructions not to fall in love: my fragile clockwork heart would never survive. But when you gave me a dose of love so powerful – far beyond my wildest dreams – that I felt able to confront anything for you, I decided to put my life in your hands.” 
― Mathias Malzieu, La Mécanique du cœur

‘The Boy with the Cuckoo-Clock Heart’, a metaphorical, sweet, and disturbing little book translated into English from French, is a Tim Burtonesque fable of the rarest kind. I purchased the book at the well-known historical bookshop Shakespeare and Co in Paris. Attracted by Benjamin Lacombe’s art on the cover (check some of it out here) I couldn’t not give it a go, and boy am I happy that I did!

Our story begins on a cold dark wintry night (of course it does), when an unkown woman gives birth to a very pale baby, delivered by ‘Dr Madeline’ also known as ‘the witch’ in a gothic house set on top of King Arthur’s Seat in Edinburgh. Because yes, this dark gothic tale is set in 19th century Scotland (and we even bump into Jack the Ripper at one point)! The baby is sickly, his heart is weak, and our steampunkish doctor decides to link the hardly-beating heart with a cuckoo-clock set right into the boy’s chest.

Three rules must always be kept:
1. Never touch the hands of the heart-clock
2. Keep your temper under control
3 Whatever else you do, never ever fall in love

Needless to say that during the course of his life, Jack breaks all three rules.

By the way, did I mention there is also an animated version of the book? And it is AMAZING. Yes, this is what happens when the author, Mathias Malzieu, is the leading singer of a French rock band – Dionysus. They created the music for the animated movie themselves of course. You can find some clips on Youtube (both in the original French version and translated to English). 

Oh yes, this book was a real discovery. Thank you Paris. Thank you Shakespeare and Co. Thank you Benjamin Lacombe. And most of all thank you so much Mathias Malzieu!

P.S If you loved Antoine de Saint-Exupéry’s ‘The Little Prince’, this book is right up your street.

Personal rating – 5 on 5 Stars!

Where to go this St. Patrick’s Day in Malta

Malta is known for its nightlife, not to mention the love of the Maltese for celebration and partying. Be it summer festas, weekend parties, or open-air concerts, any excuse is a worthwhile justification for making merry.

The Irish feast of Saint Patrick’s, which is a cultural and religious celebration held yearly on the 17th of March, is no exception. Unlike the Irish, for whom Saint Patrick is the patron saint, the Maltese have no particular claims on this festivity as such, yet, this is not a deterrent to those of us who waste no time in donning Irish green, raising our beer glasses, and preparing ourselves for a day of inebriated merriment.

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Fortunately for us, this year Saint Patrick’s will be taking place on a Saturday, instead of on a weekday, which is usually the case, to the moans and groans of early risers everywhere. So, grab your tall green hats, your special mug, and your partying spirit, and head off to any one of these suggested events around the island:

St. Patrick’s Sunday in Floriana – For those who prefer to celebrate this religious feast in a more traditional way, this is surely the event to go. Hosted by the Floriana Local Council, the event will be taking place on Sunday 11th, instead of on Saturday 17th. Floriana’s take on this festivity goes back to the beginning of the 20th century. This year, the celebrations will centre opposite the Police Headquarters in Floriana, and will feature live music by Fakawi, Planet Seed and Kevin Borg. The event will start at 1.00pm and go on till around 7pm. Guinness on draught, food stalls, and a kids area, will be available. Entrance is free. For more info, visit – https://www.facebook.com/events/218510788695194/

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Hugo’s Terrace goes Green – Known for its stylish décor and fabulous cocktails, Hugo’s Terrace this year is celebrating Saint Paddy’s with a live U2 Tribute by Muzzle. Dj’s Mia Wave & Leo Max will also be performing on the night. Entrance is free and doors will open at 8pm. For more information, visit – https://www.facebook.com/events/593741454291527/

Saint Patrick's Day

St. Patrick’s Day at Ryan’s Pub – This iconic Irish Pub is definitely one of the Maltese’s favourite venues on this most Irish of days. The downside is that it will surely be packed to the rafters on Saturday 17th. Squeezing in through hordes of shouting people towards the bar has also its cons however, not only because one can meet new people and make new friends, but most notably because of the live entertainment, not to mention the delicious food-stand featuring amazing burgers by Chef Daniel Grech. Early birds are more than welcome, since festivities at Ryan’s are known to kick as early as midday! For more info, go to – https://www.facebook.com/events/1822628434704559/

St. Patrick’s Day at TRUTH – More early celebrations start off at midday at this popular concept club within the heart of Paceville. Offering an eclectic mix of food and entertainment, TRUTH features some of the best DJs from the local dance music scene. In honour of Saint Patrick’s on the 17th the line-up will include Pocci, Ziggy, JJoy, and Nikki VP, amongst others. Those interested in knowing more about the event, please visit – https://www.facebook.com/events/175335219752284/

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Live Irish Music at The Orchard Restaurant – Offering a free half pint of Guinness, a shot of Baileys or a shot of Jameson Whiskey with every meal, The Orchard Restaurant surely knows how to attract its customers! Live Irish Music by Keltika Keoltoiri and performances on the mandolin, the Irish harp, guitar and piano, will also help to create a special evening to be remembered. For more information, visit – https://www.facebook.com/theorchardmalta/

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This article was written by me and originally published here.

Ghana – Traditional Maltese Folksong

Għana is generally sung by two or more singers called għannejja, who seat themselves at two opposite ends of the stage, retorting answers to each other in rhyme, usually without any planning or meditation. Għanneja vie with each other during this kind of singing, which involves satire and puns, often dealing with the faults of character of singers themselves, or of the characters or situations they are singing about. The singing involves musical accompaniment by one or more guitarists. The lead guitarist is called ‘il-Prim’. Between each stanza of għana, the lead guitarist plays il-prejjem, in which he or she shows their skills at guitar playing.

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The tunes are somewhat wild and meandering, but they also involve a certain kind of romantic beauty and harmony. As the singing starts, the audience tries to follow all the words being sung closely. Clarity of expression in the performance is expected out of every għannej. Moreover, the audience also expects singing to include the correct rhyming and a theme which is maintained throughout the song.

There are various types of għana. The ‘spirtu pront’, which is the most popular type, consists of short stanzas, normally sung by a group of two or more singers. This type of folk singing takes place in the form of a duel. This generally involves two styles of singing. The first one is called ‘the hitting back’. Four singers are involved; the first singer sings with the third person, while the second singer sings with the fourth one. The second style is known as the ‘impromptu reply’, and is normally done between two singers. While the first singer starts on his first two lines, the second singer continues the rest of the stanza, creating an interlocking melody. It is normal practice for the singer who finishes the last two verses to start the next stanza. This is called ‘għana maqsuma’, or ‘għana bil-qasma’, which means broken or shared singing. The spirtu pront and the għana bil-qasma require a great deal of quick thinking as well as the ability to rhyme. Singing usually lasts for an hour and comes to an end with a ‘kadenza’, which has two or more stanzas.

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Another type of għana is the għana tal-fatt. This consists of a long and elaborate narrative in verse form. It is called ‘tal-fatt’ because its theme usually deals with a particular deed, event or legend. The theme most dealt with is the lives of well-known local personalities or a sensational or tragic event. Sometimes, it also deals with a humorous topic, but the most popular theme is the gruesome details of a murder or crime.

Today, Għana singers are prestigious, since it takes skill and a considerable talent to be able to do so well. In Malta, għana and traditional folksongs are sung at festivals, fairs and tourist centers, as well as cultural events. Each June, the Malta Arts Council organizes a two-day music festival centered on Għana called the ‘Għanafest’.

Ghanafest 2012

To read the full article, please go to http://livinginmalta.com/entertainment/ghana/

Ocean Song

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Churning, turning, ever burning
Twisting, rolling, always moaning
Groaning, gurgling, even twerking
Dancing, sloshing and gyrating

Spilling shinily on the rocks
Flecking the air, bathing the docks
Breathing gassily amidst the pores
of unknown, unwanted shores

Spawning fish and hiding mermaids,
deep within, where no child ever wades
Tinkling melodies far below abide
where the sand is not reached by the tide

Screeching mollusks, roaring sharks
fluttering ferns and eel-like sparks
some fish puff, others mutter
within its smothering, searching stutter

As it embraces all and none,
below the air, beneath the sun
the song goes forever on and on
in its relentless joyful drone

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The Secret Sin of Writing

It is a truth universally acknowledged that what sells, and GOOD WRITING are two very different things. It is also a fact that most artistic geniuses, which are freely viewed as such today, were nobodies when they were alive, and in fact many of them were unbelievably poor and wretched.

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Not all of them of course, Charles Dickens, being a carismatic charmer, made more money out of his public readings, which advertised his own writing skills, than from his journalistic writings. Mozart, who was a child-prodigy, wowed the nobility with his precociousness, and Lord Byron was also well-known not only for his boyish Casanova-like behavior, but also for his poetry and grace. These however are just flukes, and not the norm at all.

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What sells is what magazines and newspapers look for. What sells is the thing most Editors really consider when reading a draft for the first time. Shakespeare was a struggling playwright in his time – one of the many trying to gain the attention of the nobility to earn a living. The same could be said for Marlowe, Blake and many other such artistic geniuses. They tried to find a balance between pleasing the masses and being true to their art. One wonders what great artistic treasures they could have produced, had they not been constrained by the need to earn money through the use of their talent.

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I need money. Doesn’t everyone? Now more than ever, I need money. This is the point in my life where I think, I will need money most. That is why I totally understand how and why a writer, a musician, an artist, sometimes has to prostitute his or her talent. It does not mean I like it. Hopefully, it will not always be so. I will always need money of course, but I dream of a time in future, when I will be comfortable enough to at least relegate my office hours to work, and then afterwards be free to write whatever I want, for the sole pleasure of writing it, and not for any other ulterior motives.

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Of course, if others like reading what I write, and I make a gazzillion euros out of it, I won’t complain either ;p

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Lost Syd – Ode to Syd Barrett

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Sad eyes filled with sea
disarrayed hair that always spoke to me
a husky voice – all those cigarettes,
the scratchy beard, the daring bets

Where is that chilled campari dear?
Or that sultry look behind your fear
If dreams had lips with which to weep
they’d dribble darkness and go to sleep

That willowy feyness clamoured for more
no strength, no breath for a last encore
naked and cold, I give you my back
you know what I need, you know what I lack

Time is cruel, ripping and mindless
the merciless wind is crippling and sightless
Give me the musk of those deserted years
take back the emptiness, take back the tears

Where are those arms, terrified and wild
Where is your wrath, hollow like a child’s?
Only the blues remain, mumbling, leering,
behind the clapping, beneath the cheering.

SydBarrettTuningGuitar1969(c)MickRock