Ghana – Traditional Maltese Folksong

Għana is generally sung by two or more singers called għannejja, who seat themselves at two opposite ends of the stage, retorting answers to each other in rhyme, usually without any planning or meditation. Għanneja vie with each other during this kind of singing, which involves satire and puns, often dealing with the faults of character of singers themselves, or of the characters or situations they are singing about. The singing involves musical accompaniment by one or more guitarists. The lead guitarist is called ‘il-Prim’. Between each stanza of għana, the lead guitarist plays il-prejjem, in which he or she shows their skills at guitar playing.

The tunes are somewhat wild and meandering, but they also involve a certain kind of romantic beauty and harmony. As the singing starts, the audience tries to follow all the words being sung closely. Clarity of expression in the performance is expected out of every għannej. Moreover, the audience also expects singing to include the correct rhyming and a theme which is maintained throughout the song.

There are various types of għana. The ‘spirtu pront’, which is the most popular type, consists of short stanzas, normally sung by a group of two or more singers. This type of folk singing takes place in the form of a duel. This generally involves two styles of singing. The first one is called ‘the hitting back’. Four singers are involved; the first singer sings with the third person, while the second singer sings with the fourth one. The second style is known as the ‘impromptu reply’, and is normally done between two singers. While the first singer starts on his first two lines, the second singer continues the rest of the stanza, creating an interlocking melody. It is normal practice for the singer who finishes the last two verses to start the next stanza. This is called ‘għana maqsuma’, or ‘għana bil-qasma’, which means broken or shared singing. The spirtu pront and the għana bil-qasma require a great deal of quick thinking as well as the ability to rhyme. Singing usually lasts for an hour and comes to an end with a ‘kadenza’, which has two or more stanzas.

Another type of għana is the għana tal-fatt. This consists of a long and elaborate narrative in verse form. It is called ‘tal-fatt’ because its theme usually deals with a particular deed, event or legend. The theme most dealt with is the lives of well-known local personalities or a sensational or tragic event. Sometimes, it also deals with a humorous topic, but the most popular theme is the gruesome details of a murder or crime.

Today, Għana singers are prestigious, since it takes skill and a considerable talent to be able to do so well. In Malta, għana and traditional folksongs are sung at festivals, fairs and tourist centers, as well as cultural events. Each June, the Malta Arts Council organizes a two-day music festival centered on Għana called the ‘Għanafest’.

To read the full article, please go to http://livinginmalta.com/entertainment/ghana/

The Secret Sin of Writing

It is a truth universally acknowledged that what sells, and GOOD WRITING are two very different things. It is also a fact that most artistic geniuses, which are freely viewed as such today, were nobodies when they were alive, and in fact many of them were unbelievably poor and wretched.

Not all of them of course, Charles Dickens, being a carismatic charmer, made more money out of his public readings, which advertised his own writing skills, than from his journalistic writings. Mozart, who was a child-prodigy, wowed the nobility with his precociousness, and Lord Byron was also well-known not only for his boyish Casanova-like behavior, but also for his poetry and grace. These however are just flukes, and not the norm at all.

What sells is what magazines and newspapers look for. What sells is the thing most Editors really consider when reading a draft for the first time. Shakespeare was a struggling playwright in his time – one of the many trying to gain the attention of the nobility to earn a living. The same could be said for Marlowe, Blake and many other such artistic geniuses. They tried to find a balance between pleasing the masses and being true to their art. One wonders what great artistic treasures they could have produced, had they not been constrained by the need to earn money through the use of their talent.

I need money. Doesn’t everyone? Now more than ever, I need money. This is the point in my life where I think, I will need money most. That is why I totally understand how and why a writer, a musician, an artist, sometimes has to prostitute his or her talent. It does not mean I like it. Hopefully, it will not always be so. I will always need money of course, but I dream of a time in future, when I will be comfortable enough to at least relegate my office hours to work, and then afterwards be free to write whatever I want, for the sole pleasure of writing it, and not for any other ulterior motives.

Of course, if others like reading what I write, and I make a gazzillion euros out of it, I won’t complain either ;p