The Spectacular Ta’ Ċenċ Cliffs on the Island of Gozo

One of the most panoramic and beautifully unique views within the Maltese Islands, can surely be found within the small Gozitan village of Ta’ Sannat, on the Southern side of the island of Gozo. Known as Ta’ Ċenċ Cliffs and rising to 460 feet above sea-level, this location offers amazing sea views from the picturesque and unspoilt garigue countryside of the Sannat coastline.

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The steep and rugged cliffs sport a number of interesting cliff paths whereby the intrepid explorer may venture, not just to enjoy the staggering Mediterranean views, but also to take a look at the typical Maltese landscape, since Ta’ Ċenċ Cliffs are the homing ground of a number of typical species of flora and fauna redolent to our islands.

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Ta’ Ċenċ Cliffs also harbor a number of mysterious and interesting archaeological and historical remains. One cannot but mention the cart ruts; a series of parallel ruts said to have been created by the huge rocks dragged by Neolithic men, this is just a theory however, since no one really knows what the so-called cart ruts were exactly. What’s sure is that these strange tracks, carved in groups into the plateau itself, together with the stark natural beauty of the surroundings, create a unique palate of sensations which anyone interested in hiking and history will appreciate.

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Another important element present at Ta’ Ċenċ Cliffs is surely the Megalithic Temple known as Tal-Imramma, which is situated at ‘ix-Xagħra l-Kbira’, and consists of an oval court with many oval rooms in it. One can also see three dolmens, that is horizontal stones supported on three sides by stone blocks, and which date back to the Early Bronze Age.

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Ta’ Ċenċ Cliffs are an area of geological and ecological importance, and in fact they are crucial for many species of birds, such as the Blue Rock Trush or ‘Merill’ which is the Maltese National Bird and is protected by law, as well as the rare Spectacled Warbler, Cory’s Shearwaters, and Yelkouan Shearwaters.

Wild plants and herbs grow prolifically on the Cliffs, perfuming the air with aromatic scents and lending a particular quality to the rich landscape. One of these plants is wild thyme (‘sagħtar’ in Maltese), which flowers between May and June, and which is of particular importance to local bees which acquire a particular flavor when producing honey after having flown over it. Other flora found on Ta’ Ċenċ Cliffs includes Carrob (‘ħarrub’), and eucalyptus.

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Such organisations as the Malta Geographical Society, the Malta Ramblers Association, the NGO Din l-Art Ħelwa, and other groups, frequently organize awareness walks and hikes at Ta’ Ċenċ Cliffs.

This article was published on LivingInMalta, to read the whole thing, go here.

Book Review – Rebecca by Daphne du Maurier

Have you ever been curious about your partner’s ex? Have you ever felt even just a little bit envious of the times they shared with your beloved, the way they knew him when he was younger, or perhaps different from how he is today? Or worse, have you ever suspected your partner might still have feelings for them, or that what they feel for you may not be as strong as their past relationship?

Daphne du Maurier’s Rebecca (1938) is a novel which explores such feelings. It is a book about obsession – not the obsessive all-pervading feeling of love, but the obsessiveness of envy, hate, and the morbid fascination of a wife for her husband’s ex. Rebecca, in fact, is not as one might suppose,the name of the narrator, but the name of Mr de Winter’s first wife. The deceased, elusive, sophisticated, beautiful Rebecca, whom the reader, and in fact the narrator, never meets, but who nonetheless haunts every page, every moment, every thought.

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This novel was groundbreaking in its time, and still continues to be so for a number of reasons. First of all, for example, the actual name of the narrator and main character is never mentioned. We always hear her being referred to as “the second Mrs de Winter”, but we never get to know her real name. This is very important, as it denotes that the narrator herself suffered from such low self-esteem, and gave herself so little importance, that her own individuality is barely glossed over in the overall scheme of things. Another factor is that the narrator, we realize, is not actually the real main character.

The main character is in fact Rebecca.

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When the young naive narrator meets and marries Maximilian de Winter, the wealthy landowner of the notorious mansion of Manderley, she knows that he’d been previously married, and that his first wife had died in a boating accident some time before. This however leaves her unprepared for the fact that back home at Manderley, all the servants, neighbors, and acquaintances still miss and look up to her husband’s first wife – a peerless socialite, beautiful, intelligent, brave and helpful. The perfect woman, wife and partner. Her husband won’t speak of her, and flies into a rage every time she’s mentioned. The housekeeper emphatizes the fact that Mrs de Winter had always wanted things managed just so, as though she’s still there, and Rebecca’s clothes, her monogrammed stationary, even her room, is left untouched. The house is still hers, as is the neighborhood, and the narrator comes to believe that even the man she married cannot possibly have gotten over his previous marriage. She feels like everyone is comparing her to her predecessor, and finding her wanting. The novel is beautifully written, rendering the reader to empathize with the narrator, and slowly becomes convinced – as she does – that something is not right and not quite as it seems.

The rest of this article was published on EVE.COM.MT and can be read here – http://www.eve.com.mt/2016/11/12/rebecca-by-daphne-du-maurier-a-review/ 

Halloween Movies perfect for Kids!

Halloween also called All Hallow’s Eve and Samhain, this Autumn festival historically marks the end of harvest season and the beginning of Wintertime. Celtic and Gaelic traditions saw huge bonfires lit, as well as celebrations to mark the occasion. This is where the practice of dressing up comes from, since costumes were supposed to keep the cold, dark, evil spirits at bay by confusing them. It was the last festivity before the onset of the coldest months.

Today, we’re fortunate enough to live in a time where electricity, air-conditioners, heaters, and a marked jump in health institutions are enough to keep most of the cold chilly darkness under control. Nonetheless, we still celebrate Halloween. Apart from the usual parties, costume competitions, pumpkin fairs and trick-or-treating, many also take the opportunity to watch some good old horror movies to get into the mood.

Here are a number of some old favourite movies which I always make a point to watch during this time. These are not films of the slasher-horror type, but rather those which I associate with childhood, and which always leave me feeling of good cheer. Definitely ‘must-sees’ for all those with children and for those who can’t handle scary flicks!

The Tim Burton QuartetThe Nightmare before Christmas(1993), Corpse Bride (2005), Beetlejuice (1988) and Edward Scissorhands (1990). Tim Burton’s work is just perfect to watch cuddled on the sofa while a heavy rain lashes against the windowpanes. These dark fantasy movies are all, somehow or other, centred around Halloween. The first two mentioned are animated, full of catchy tunes and delightful characters. In fact, the ghouls, ghosts, skeletons and monsters aren’t scary at all. Although all of these movies are targeted at children, they also have dark sinister meanings which only adults will be able to appreciate, and which have nothing to do with Halloween and everything to do with the society we live in; a society which can be cruel and intolerant, and end up pressuring people into doing what is acceptable instead of being happy with their own individuality.

Hocus Pocus (1993) – I must admit, the Sanderson sisters have always been my favorite media witches. Especially Bettie Middler, who’s somehow perfect in her rendition of an angry yet funny medieval witch, who after being burnt at the stake, comes back to the present to take her revenge. Unfortunately, she and her sisters are totally unprepared for today’s world, not to mention today’s children, who are much pluckier and smarter than the ones she was used to.

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The Addams Family (1991) – The stories of this eccentric, affectionate clan who don’t care what others might think about them have always been close to my heart, and the 1991 rendition with Angelica Houston as Morticia, Christopher Lloyd as Uncle Fester and Christina Ricci as Wednesday is just perfect in complementing Halloween. The Addams seem to live in a perennial Halloween all year round. Their neighbors think them strange, and society tries to shun them. And yet, they love and care for each other, especially when it matters the most.

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To read the rest of the article, which was published on EVE magazine follow the direct link:- http://www.eve.com.mt/2016/10/26/halloween-movies-for-the-faint-hearted/

Susan Waitt’s Night Gallery – Halloween Interview

My first personal meeting with American artist Susan Waitt occurred some years ago at a private spiritually-themed event and reception, taking place in a certain ex-bordello in Valletta. Her colourful, vibrant outlook and curiosity immediately struck a chord. A Scorpio, the Connecticut-born artist worked as an illustrator for a Disney studio in Massachusetts, hosted her own American TV talk show and was an artistic director and writer for Liquorish TV, to name but a few of her achievements.

On the other hand, her gothic, surreal artwork seems to spell quite a different character; more dark, more mysterious, but still very intriguing. Waitt’s perception seems to filter and reproduce vagrant metaphysical ideas of succubi and the supernatural; sinister presences which may as well hide within each and every one of us, or even behind the closed door around the corner.

What prompted you to come to live in Malta?

Originally, I came here to co-organise an international conference on the consciousness of the Megalithic Temple builders, and somehow, I never left. I’ve lived in Malta for nine years.

From Disney artwork to the grotesque: How did one category of art evolve into the other?

The concept of the grotesque in art and literature speaks to something profoundly basic about human nature, and the nature of existence itself. In fact, Disney perfected for a general audience the interplay of paradoxical opposites such as fear and laughter, aggression and playfulness, and the merging of bizarre, carnivalesque atmospheres with rational and logical realities. Think of all the terrifying moments in Bambi, Peter Pan, and Snow White to name just a few animated feature films. My art evolved from this quite naturally, in that I felt like it was part of the whole circle of life, since the spectrum of experience was all there in Disney already.

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Of course, I was always drawn to Bosch, Goya, Fuseli, Moreau, Dali and many other artists who portrayed what was dark, subterranean and wrapped in ineffable mystery. Now, having grown older and somewhat wearier of the world, it often appears to me that there are also precious gifts within the darkness of the human mind – depth, profundity, nuance and complexity. Intense contrasts of light and dark add a sense of drama and therefore a sense of awe. Awe is a key aspect of the experience of the sublime.

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Is there a particular unifying theme within the exhibition?

I deliberately used Victorian Spiritualism and mediumistic séances together as a unifying trope or motif, because I felt it represented the collective desire of humanity to probe the unspeakable enigma at the centre of existence.

What is your method of creation?

For many years I painted in acrylics only, especially for large-scale mural projects. Now with my studio work, I usually first execute an unfinished acrylic under-painting, usually on a toned background and then finish in oils. When I was working as a commercial book illustrator for Disney and Fisher Price, I was constrained to lay out book galleys meticulously. That required sketching and sometimes re-sketching scenes and finishing with inks, water colours and airbrush. In recent years, I started executing artworks with the same absolute freedom and energy that I had usually reserved for my free-time sketching and doodling. I’m producing art directly onto the canvas now.

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This article/interview appeared on EVE Magazine on 22.10.2016 – Please follow the link to read the rest of it: http://www.eve.com.mt/2016/10/22/susan-waitts-night-gallery-the-uncanny-the-sublime/

ANNIVERSARY of Edgar Allan Poe’s Mysterious Death!

I became insane, with long intervals of horrible sanity’ – Edgar Allan Poe

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Technically, this was yesterday, but I only realized today.

Edgar Allan Poe, his works, and his life, have always had a special fascination for me. He is the daddy of the horror genre and the supernatural mystery. His poems especially are so full of dark romantic agony, that they called to my trembling brimful heart from a very young age. Poe, who married his cousin a child bride of 13 who died only 2 years after the marriage (she was 15). Poe, who forever after wrote sad poems lamenting his pure innocent lost love. Poe who was given to bouts of depression, took laudanum and was a drunk, but published brilliant detective stories, the first of their kind. Poe, who always had a kind of mythological terror of cats, because for him they symbolized the dark wild part of himself, and who feature again and again in small ways in almost all of his prose-work.

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Poe who mysteriously and inexplicably died 166 years ago, yesterday.

Most people erroneously believe he died of his alcoholism but that is not the case. First of all, though he was a known alcoholic, he is reported to have not touched a drop for ages. Also, the person who found him, alone, confused and wandering, in the dark a week after he had disappeared from his home on the way to New York, said he looked sick but not drunk. Secondly, let us keep in mind that the person who wrote Poe’s biography after his death, Rufus Wilmot Griswold was a hated rival who was trying to portray him as badly as possible. He said he was ugly, dirty and unkept, a drunk, a brute and a savage. To which others, Poe’s doctor included, attested he was not. Unfortunately, there was no autopsy done on Poe’s body, and all his medical documents were ‘lost’, so there is no record of what actually took place.

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Theories abound. Some say he died of a heart-attack. Some that it was suicide (he had already overdosed on laudanum once), which is not possible since he was ‘found’ wondering the streets. Some say it was diabetes or tetanus.

Like Poe’s marvelluous detective mysteries, his death too, remains a mystery. Still he played and still plays a big influence on my mode of thought, not to mention my writing and my tastes. ALL HAIL EDGAR ALLAN POE – MASTER OF TERROR!

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Btw this is a very good article on his death – http://www.openculture.com/2015/10/the-mystery-of-edgar-allan-poes-death-19-theories-on-what-caused-the-poets-demise-166-years-ago-today.html

Enjoy 🙂

The Goddess of the Ravens

Exactly a year ago, I finally did my third tattoo. The one I had been wanting and dreaming about for so long.

It is a representation of my favorite aspect of the Goddess – the Lady of the Ravens. She has always been with me – a part of me. The best part.

Morrigan, Badb, Nemain.

Happy 1st year Anniversary 😀

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Feral, she squats on the jagged pinnacles
Wild black hair tangling in the greedy wind
Mad eyes staring at the merciless hurricane
Teeth bared against the fury of the Storm

Heart beating to the rhythm of the Earth
Wings ragged. yet pulsating with the life of centuries
Silently, she waits to spring, she waits to scream
but for now, she simply smiles… enigmatically…

A sarcastic smile, no one can see…

Anime Review – Shiki – A Japanese Vampire-Story

Genre – Horror
No. of Episodes – 24
Anime released in – 2010
My Overall Grading – 3 Stars

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Shiki was a random find. I’ve been combing the anime market for good horrors/psychological thrillers for ages now, and wanted something good with a Japanese cultural flavor. Shiki seemed to fit the bill, even though the romaticised vampire plot-line made me a bit wary, since we’ve seen sentimentalized semi-pornographic versions of it so many times before.

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The anime itself was quite good. It sports Higurashi-like traits, in that it is set in a small, almost cut off, town in rural Japan, with its own customs and legends, where, obviously, something strange starts to happen during one hot Summer, when a large number of people start to mysteriously die off. There the story totally deviates from Higurashi however, in that, although interesting and at times, agonizingly full of emotion, the characters in this anime somehow still fail to gain that certain depth of perspective and credibility. The characters in Shiki are thin, cardboard-like and insubstantial. Although we are given sketchy backgrounds of almost each one, we know that the ten-minute background interlude is gifted to us each time, exactly before said character either dies (which does not mean that they do not actively appear on-screen any more) or otherwise falls into some misfortune. The characters never evolve, they never develop, and, alive or dead, their reactions are hardly credible or even probable.

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That being said, the art used in Shiki is very pleasing, when portraying kawai characters like Sunako, but totally irritating with bland ones like Kaori – and seriously, what’s with all the stupid bombastic hairstyles? And the BOOBS… Lol. Anyways, the guys are all hot, and I loved Megumi’s fashion sense too ;p

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I also loved the fact that in the end, we are so steeped in the lore of the town of Sotoba, that we don’t even see the undead as vampires anymore, but we really and truly perceive them as Shiki. They are blood-thirsty, they are romanticized, but in the end, like their human counterparts, the Shiki just want to live a normal life, they are afraid, they make mistakes, they need help – but no one helps them. The (hot) priest Seishin perfectly persnonalizes the troublesome issue everyone in the village, not to mention we the viewers, feel – the Shiki are parents, friends, husbands, sisters, mothers, loved ones who are just trying to survive – is killing them murder, or is it just self-defence?

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Although the characters leave something to be desired, the issues presented by this anime are quite clear and very deep. In the end, I couldn’t, however, give the anime 4 stars as it still had something lacking, but I would still recommend it.

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Christians afraid of others’ beliefs

http://www.bbc.com/news/uk-northern-ireland-30919259

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Lol seriously? Get a life!

If one is sure of one’s own beliefs, one does not need to destroy others’!! This sort of behavior just shows the thieves’ weakness and their own uncertainity, since they obviously need to deface other people’s creeds in order to feel secure with their own.

How utterly stupid and futile.