On Creativity – Tropes and why we love them

A ‘trope’ is a recurrent literary theme, motif, or structure of a plot when it comes to writing novels and stories. Most tropes are presented by authors again and again, in differing formats and story-lines, and yet, though readers generally recognize them and sometimes even preempt certain happenings and resolutions, they still continue to prefer the same type of story-line and continue to read and enjoy such books and stories again and again.

Most tropes are over-used, and yet, they still sell. Why? I must admit that I myself find that I tend to gravitate towards reading familiar tropes, especially when I’m in a certain mood where I need a nice comfortable reliable story… and yet… is writing a novel and basing it on this much-recycled outline acceptable? I mean – where is creativity?? And what about originality?

Take for example the Rags to Riches trope – here the main character is usually a young unknown person who, through some circumstance or other, ends up becoming rich and famous. Some well-known examples include Cinderella, Pretty Woman and Slum Dog Millionaire.

Another well-known trope is the Love Triangle – this one actually needs no explanation does it? Everyone enjoys a good love story, but throw in some unrequited love, a couple of misunderstandings, a pinch of jealousy and heartache, and there it is, the usual popular T.V drama series cocktail!

A third trope, which never gets old, is what I call the Ugly Duckling story-line. Think about My Fair Lady, The Princess Diaries, Miss Congeniality or The Devil wears Prada, and you have it. Basically this kind of story also usually ends up becoming a ‘moral lesson’ = Unkept girl has a make-over and transforms into a beauty, then realizes that looks are not everything… but she still looks pretty now anyways.

Want another one? How about the Unknown Hero who saves the World trope? I guess I don’t even need to give examples for this one… *cough*Spiderman*cough*Superman*cough*Marvelingeneral*

And what about all those post-apocalyptic dystopian teen-movies which seem to add up all of the above?! The Hunger Games, The Maze Runner, Divergent, The Giver… ugh! I read the books before there was even a hint of any movie, and I realized early on that they were all the same, and yet I still gobbled them up! Why!?

I guess we all love the familiar, we all dream of becoming rich, popular heroes and that never changes.

Yet, artists, BEWARE. Writing/creating something familiar while portraying it in an entirely new and creative manner is one thing, re-writing the same thing over and over and over again, is another. ‘Familiar’ is a tricky word, since it is most often dangerously close to ‘mediocre’, not to mention ‘boring’. 

 

If a Sequel is not written by the original Author, it is NOT a Sequel

This is something which personally I never had to wonder about, but which, I realised yesterday, some people seem to misconceive.

What is the difference between a sequel and a fanfic?

Is ‘Alice through the Looking Glass’, which is the book which comes after ‘Alice’s Adventures in Wonderland’, a sequel? Well, of course it is, since it was written directly by the same author, Lewis Carroll, and continues the journey of the main character, Alice.

Are ‘Good Wives’ and ‘Little Men’ sequels to ‘Little Women’? Of course they are, as all of them were written by the same author, Louisa May Alcott, and follow the March family throughout the years.

Is Robin Hobb’s ‘Rain Wild Chronicles’ a sequel to the ‘Farseer Trilogy’ and the ‘Liveship Traders Trilogy’, even though its not about the same people? Yes it is, because it is set in the same world, tackles events which obviously take place after the other books and which have an impact on them, and because it is WRITTEN BY THE SAME AUTHOR.

On the other hand, what about books like P.D James’ ‘Death comes to Pemberley’, which was written as an obvious sequel to ‘Pride and Prejudice’? Do you really consider it a sequel? The time-frames are right, and the writer is good, but it’s not written by the original author is it? The flavor is totally different. And what about Alexandra Rippley’s ‘Scarlett’, which was written as a sequel to Margaret Mitchell’s ‘Gone with the Wind’? The realistic feelings of loss and hope in the face of desperation are totally lost to a whiny prima donna who does not capture the original heroine’s spirit in the least. So, written right or written wrong, no I personally DO NOT CONSIDER BOOKS WRITTEN BY A DIFFERENT AUTHOR AS PREQUELS, not even if they do take up the original story-line and move forward from there. For me, that is pure fan fiction. Which has a totally different niche in the literary world, and which I like to read at times too. But which is distinctly different from a REAL SEQUEL, if you know what I mean.

I hear you ask, what about Robert Jordan’s ‘Wheel of Time’ series? Jordan got sick (in fact he wrote a couple of his books while bed-ridden) in the middle of it and the last few volumes were in fact written by Brandon Sanderson – so are those real sequels? Yes they are. Why? Because Sanderson not only used the original notes minutely written and explained by Jordan, but he also continued with the original story-line as decided by Jordan, and developed the characters as Jordan had originally planned.

On the other hand, look at the Virginia Andrews franchise. Virginia Andrews only actually wrote 6 books before dying. The ‘Flowers in the Attic’ saga (prequel included) and the standalone novel ‘My Sweet Audrina’. After that, her family said they were using another writer to work with her notes, but keeping her name on the books. Because the notes were hers. Really? I read a couple of the books which ‘came after’, and honestly couldn’t see a glimmer of Virginia. On the other hand, the ‘new’ books tackled totally new and different characters and formed up new serieses, so they never aimed at being ‘sequels’ to anything. All they did was keep alive V.A’s name, and that’s fine.

I guess a person’s definition of a ‘sequel’ can be different depending on his/her point of view. However, for me, no ‘sequel’ is real unless it is written by the same author as the previous book/s.

All the rest, no matter how well written, thought out and executed, are fanfics. And there is nothing wrong with that. As long as the distinction is clear.

And honestly, whenever I hear of a ‘sequel’ to something good being made (by someone else apart from the original creator), be it in books or movies, I am terrified they are going to destroy and twist the whole plot-line entirely. Think about the rumors of ‘Labyrinth 2’! *sobs*