After four years, yesterday I re-watched the animated movie ‘Paprika’ (2006). This Satoshi Kon masterpiece had always remained in my mind as one of a kind in its genre (that is, anime movies), and my perception of it did not change after re-watching it.
Apart from the plot-line, which is bewitching and exclusive in and of itself, the characters are wonderfully mysterious, yet with understandable motives and feelings, and, most importantly, the graphics and colors, apart from being unusual and perfect for the dream-sequences pertaining to the storyline (which, in fact, concerns dreams), are vivid, yet in a way, horrifically nightmarish. The theme of the hellish circus is captured perfectly, and wonderfully juxtaposed with the clinical and cold atmosphere of the labs. The soundtrack is also exceptional – in fact this was the first animated movie to use a VOCALOID – that is a singing voice synthesizer software.
What entirely fascinated me apart from all this (yes there is MORE) was the double and split identity of Doctor Chiba, whose dream-self is the sexy, cute and pixie-like Paprika. Able to navigate through dreams, free as a bird and always smiling, she is totally different from her genius down-to-earth counterpart. This is what we hide inside us – another self – which is only free when we are asleep.
And the question comes naturally to mind – what is my dream-self like? If I had such an advantaged technological device that enabled me to control my dreams, would I also have such a different dream-self? Self, but not self? A part of me, but, as Paprika says, with me being also a part of her? Who would be the strongest between us, the conscious me, or the subconscious one?
‘Paprika’ is not a children’s anime. Not only does it have violent, sexual and very disturbing connotations, it also has a very convoluted plot. One which makes us thing and debate, frown and wonder. The term ‘fucked-up’ also comes to mind lol.
Unfortunately, its director, Satoshi Kon, died in 2010, so we will have no more of these gems coming our way. Another anime of his which I’ve been hearing for years about, and never got around to watching, is the psychological thriller ‘Perfect Blue’ (also by Satoshi Kon), which not only has an immense cult following, but is also described as being one of a kind.
‘Perfect Blue’ is even older than ‘Paprika’ since it was produced in 1997. Certain animes, like certain movies, are ageless.