The Beauty Inside – A Review

Would you have fallen in love with your significant other if s/he had had another face? Would you be able to love someone with a physical disability? How about someone who, though not visually impaired, was still not able to differentiate faces? Is one’s identity tied to one’s face and appearance?

If you had another face, would you be a totally different person inside as well?

These are all questions the audience cannot help but ask itself, while watching ‘The Beauty Inside’. This very good Korean drama in fact, tells the story of two people whose very difficult situations color their lives in multiple ways.

Han Se-gye is a well-known actress, yet for some mysterious reason, when she is 20 years old something happens to her and she starts to transform into someone else for a week every month. Each time, she transforms into someone different. It could be an old man, a child, an older woman on a wheelchair. Age, race, gender, physical abilities – all change without warning, causing her to break down both mentally and physically.

On the other hand, there is Seo Do-jae, a man who suffers from Prosopagnosia due to having broken his cranium in an accident. Prosopagnosia, also called ‘face blindness’ really does exist, and is a cognitive disorder caused by acute brain damage, whereby a person looses the ability to recognize people’s faces, including one’s own in the mirror. After his accident, Seo Do-jae spends years learning how to recognize people using other individual clues instead. The way they walk, the way they dress, their voice, their scent… no wonder he is the only one who can actually recognize Han Se-gye, even when she wears a different face…

This K-drama is very different from any others I’ve watched, not only because of its very interesting take on mental and physical health and disability, but also because although it is a love story, the focus is not on the dating game itself, but rather highlights the fact that before one can really love and accept others, one must first of all learn to love and accept one’s self.

The supporting cast of characters is pretty impressive too. There are many funny and endearing moments, and also many sad ones. Prepare your tissues!

This T.V series is made up of 16 episodes, all of which are approximately an hour long. If you don’t mind watching them with subs (since obviously, the language is Korean), you can find all of the episodes online for free on various websites.

My personal rating is 5 on 5 stars.

There is also a movie with the same name, with basically the same story-line but different actors.

Enjoy!

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American Horror Story – Season 6 Review – NO SPOILERS

When I had watched Season 5 of American Horror Story last year,I was hardly impressed to say the least.

However, looking at Season 6 this autumn, I guess I’ll just have to eat my words.

Gone is the fake gratuitous soft porn thrown in simply to shock viewers into cheap thrills. Gone is the unneeded violence and lackadaisical plot. Instead of unexplained murders and ghouls, AHS takes us back to the mysterious plot lines, interesting characters, and dramatic acting so much admired during the first season. Entitled Murder House, Season 1 had focused on a haunted mansion and its historic violent past. Season 6, Roanoke, tackles not so much a haunted house, but an actual haunted piece of land, illustrating one of America’s oldest mysteries.

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The Season in fact makes reference to the historic mystery of the Roanoke colony, also known as the Lost Colony – a group of Americans who were sent to Roanoke Island in the New World (North America) in the 16th century, during the reign of Queen Elizabeth I, in an attempt to colonise it and establish a base camp. The 115 members of the colony all disappeared without a trace. The only remaining clue was the word ‘Croatoan’ scratched on the bark of a tree.

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This season is, in a way, totally different from the previous ones, as all the episodes are presented in the format of a documentary. The narrative focuses on a married couple, who are telling us the story in a studio, while at the same time, people we know to be re-enactors play their parts in order for the viewers to understand what actually happened. Each character is therefore seen twice and portrayed by two different people. The ‘real’ character is interviewed in the filming studio, while the ‘re-enactors’ are the ones playing out the actual events.

The main plot line follows an interracial couple, Matt and Shelby. After being attacked by a street gang, they decide to leave the city and its perils, and relocate to an abandoned colonial farmhouse in North Carolina.

To read the rest of the article, which was published on EVE magazine follow the direct link: http://www.eve.com.mt/2016/11/05/american-horror-story-season-6/

Halloween Movies perfect for Kids!

Halloween also called All Hallow’s Eve and Samhain, this Autumn festival historically marks the end of harvest season and the beginning of Wintertime. Celtic and Gaelic traditions saw huge bonfires lit, as well as celebrations to mark the occasion. This is where the practice of dressing up comes from, since costumes were supposed to keep the cold, dark, evil spirits at bay by confusing them. It was the last festivity before the onset of the coldest months.

Today, we’re fortunate enough to live in a time where electricity, air-conditioners, heaters, and a marked jump in health institutions are enough to keep most of the cold chilly darkness under control. Nonetheless, we still celebrate Halloween. Apart from the usual parties, costume competitions, pumpkin fairs and trick-or-treating, many also take the opportunity to watch some good old horror movies to get into the mood.

Here are a number of some old favourite movies which I always make a point to watch during this time. These are not films of the slasher-horror type, but rather those which I associate with childhood, and which always leave me feeling of good cheer. Definitely ‘must-sees’ for all those with children and for those who can’t handle scary flicks!

The Tim Burton QuartetThe Nightmare before Christmas(1993), Corpse Bride (2005), Beetlejuice (1988) and Edward Scissorhands (1990). Tim Burton’s work is just perfect to watch cuddled on the sofa while a heavy rain lashes against the windowpanes. These dark fantasy movies are all, somehow or other, centred around Halloween. The first two mentioned are animated, full of catchy tunes and delightful characters. In fact, the ghouls, ghosts, skeletons and monsters aren’t scary at all. Although all of these movies are targeted at children, they also have dark sinister meanings which only adults will be able to appreciate, and which have nothing to do with Halloween and everything to do with the society we live in; a society which can be cruel and intolerant, and end up pressuring people into doing what is acceptable instead of being happy with their own individuality.

Hocus Pocus (1993) – I must admit, the Sanderson sisters have always been my favorite media witches. Especially Bettie Middler, who’s somehow perfect in her rendition of an angry yet funny medieval witch, who after being burnt at the stake, comes back to the present to take her revenge. Unfortunately, she and her sisters are totally unprepared for today’s world, not to mention today’s children, who are much pluckier and smarter than the ones she was used to.

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The Addams Family (1991) – The stories of this eccentric, affectionate clan who don’t care what others might think about them have always been close to my heart, and the 1991 rendition with Angelica Houston as Morticia, Christopher Lloyd as Uncle Fester and Christina Ricci as Wednesday is just perfect in complementing Halloween. The Addams seem to live in a perennial Halloween all year round. Their neighbors think them strange, and society tries to shun them. And yet, they love and care for each other, especially when it matters the most.

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To read the rest of the article, which was published on EVE magazine follow the direct link:- http://www.eve.com.mt/2016/10/26/halloween-movies-for-the-faint-hearted/

Susan Waitt’s Night Gallery – Halloween Interview

My first personal meeting with American artist Susan Waitt occurred some years ago at a private spiritually-themed event and reception, taking place in a certain ex-bordello in Valletta. Her colourful, vibrant outlook and curiosity immediately struck a chord. A Scorpio, the Connecticut-born artist worked as an illustrator for a Disney studio in Massachusetts, hosted her own American TV talk show and was an artistic director and writer for Liquorish TV, to name but a few of her achievements.

On the other hand, her gothic, surreal artwork seems to spell quite a different character; more dark, more mysterious, but still very intriguing. Waitt’s perception seems to filter and reproduce vagrant metaphysical ideas of succubi and the supernatural; sinister presences which may as well hide within each and every one of us, or even behind the closed door around the corner.

What prompted you to come to live in Malta?

Originally, I came here to co-organise an international conference on the consciousness of the Megalithic Temple builders, and somehow, I never left. I’ve lived in Malta for nine years.

From Disney artwork to the grotesque: How did one category of art evolve into the other?

The concept of the grotesque in art and literature speaks to something profoundly basic about human nature, and the nature of existence itself. In fact, Disney perfected for a general audience the interplay of paradoxical opposites such as fear and laughter, aggression and playfulness, and the merging of bizarre, carnivalesque atmospheres with rational and logical realities. Think of all the terrifying moments in Bambi, Peter Pan, and Snow White to name just a few animated feature films. My art evolved from this quite naturally, in that I felt like it was part of the whole circle of life, since the spectrum of experience was all there in Disney already.

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Of course, I was always drawn to Bosch, Goya, Fuseli, Moreau, Dali and many other artists who portrayed what was dark, subterranean and wrapped in ineffable mystery. Now, having grown older and somewhat wearier of the world, it often appears to me that there are also precious gifts within the darkness of the human mind – depth, profundity, nuance and complexity. Intense contrasts of light and dark add a sense of drama and therefore a sense of awe. Awe is a key aspect of the experience of the sublime.

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Is there a particular unifying theme within the exhibition?

I deliberately used Victorian Spiritualism and mediumistic séances together as a unifying trope or motif, because I felt it represented the collective desire of humanity to probe the unspeakable enigma at the centre of existence.

What is your method of creation?

For many years I painted in acrylics only, especially for large-scale mural projects. Now with my studio work, I usually first execute an unfinished acrylic under-painting, usually on a toned background and then finish in oils. When I was working as a commercial book illustrator for Disney and Fisher Price, I was constrained to lay out book galleys meticulously. That required sketching and sometimes re-sketching scenes and finishing with inks, water colours and airbrush. In recent years, I started executing artworks with the same absolute freedom and energy that I had usually reserved for my free-time sketching and doodling. I’m producing art directly onto the canvas now.

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This article/interview appeared on EVE Magazine on 22.10.2016 – Please follow the link to read the rest of it: http://www.eve.com.mt/2016/10/22/susan-waitts-night-gallery-the-uncanny-the-sublime/

Preparing for Winter!

It’s that time of the year again, when the air gets suddenly chillier, the nights start to tiptoe in earlier, my fluffy socks seem more and more attractive, and all I want to do is snuggle in bed with a good book – though, to be honest, in my case I feel like this all year round lol.

Apart from focusing on my Stephen King marathon these past two months, I also bought (or found online) a number of good, old fashioned, horror stories. First of all, might I say that I just LOVE, LOVE, LOVE Shirley Jackson! Yes, I know that everyone’s bonkers about her ‘The Lottery’, but my favorite is and always will be ‘We will always live in the Castle’. I can’t help it, I get Merricat TOTALLY! Make of that what you will ;p

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Another thing, after gobbling up Dan Simmons’ ‘Drood’ a couple of months ago, the fantastic premise just wouldn’t leave my brain. Apart from my fixation on Charles Dickens, Wilkie Collins’ skewed perspective just tickled by fancy straight to neverwhere. So, when I came across ‘The Moonstone’ and ‘The Woman in White’ on sale at the bookstore, and realized that I had never actually read them, I obviously HAD TO BUY THEM!

Next up, I realized that the only Ray Bradbury book in my actual possession was ‘Something Wicked this Way Comes’, so obviously I ordered ‘Fahrenheit 451’ and ‘The Illustrated Man’, which are amazingly cheap on Book Depository. I don’t know whether to take that as an insult, or just count my blessings.

Anyways, how’s that for a good start to some Winter reading?

P.S An article of mine on Winter Reading will be coming out on EVE.COM soon, however obviously the article is totally different, as are most of the novels mentioned, since I tried to refer to books which might be more approachable by the masses ;p I also gave very short summaries of the books, instead of just gushing out about the ones I have waiting for me on my bedside table at home without giving any explanation for the unenlightened ;-p

Hell Girl – Anime Review

To be honest, I just started watching this anime yesterday so I cannot REALLY write a review as of yet, so this is more of a portrayal of what the anime has conveyed to me as such up to now, when I have only seen the first three episodes.

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First of all, the graphics are lovely. The characters are well drawn and the background scenes are very detailed. The anime is set mostly ‘in real life’, that is, in a city in Japan, however parts of it also take place in a surreal place – somewhere between heaven, hell and purgatory, somewhere in dreams perhaps, where the tormented spirit of the ‘Hell Girl’, Ai Enma, resides, with her three companions and servants. It is quite a dark anime, which may be considered to be gothic and/or horror too.

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Ai Enma, also known as Jigoku Shōjo, is a mysterious figure. Sometimes we are treated with short images of her past, when she was killed. We know someone who loved betrayed her, that she is angry about it and has looked for revenge for 400 years ever since, all the while being a ‘Hell Girl’, that is a powerful spirit who grants those who want revenge, the death of the people they name. Ai Enma offers a covenant – those who want her to rid them of someone, who is shipped to hell, are given a black poppet or doll, with a red string. If they decide to accept the pact, they untie the red string, on the condition that once they die, they too will go straight to hell, as payment for the debt owed to Ai. The ‘fun thing’ is the way they make their request in the first place – Hell has ‘gone modern’ in this case, since all they have to do is send an email request at midnight, and the Hell Girl promptly sends them a text message on their mobile to confirm the receipt.

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Very VERY interesting plot line. Each episode portrays a different story – a different client, and why they choose to sell their soul, in order to get rid of a particular person who is doing them, or a loved one, harm. Some of the scenes are fairly strong and psychological, in fact this is not an anime for children, but is marked 17+

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The anime is not short – having three seasons of around 23 episodes each. I have also discovered that there is a live action series, comprising of 23 episodes of half an hour each, which I definitely mean to get as well.

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All in all, I am really looking forward to continuing this series. Aaaaaaaa Anime <3!!!

Ancient Origins – Why is Malta so underrated by the Maltese?

When I was a teen, I was obsessed with archaeology, especially Egyptology. I used to borrow books from the public library explaining the processes of mummification according to the ‘Book of the Dead’, record culture shows like ‘La Macchina del Tempo‘ and ‘Il Filo di Arianna‘ on T.V, subscribed to magazines relating the latest theories, and researched stuff for hours on the net.

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Needless to say, that passion never fizzled out. Unfortunately, I do not have as much time to dedicate to this subject as I had when I was a jobless student, however I do keep my ears pricked for interesting archaeological developments and finds all the same. Especially living in a country like Malta, which though is a tiny island, is so very rich in pre-historical artifacts and temples – which are well-known as being among the oldest known temples in the world. Our temples are even older than Stonehenge or the pyramids!

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A couple of days ago I discovered a very good website with articles on such cultural and historical artefacts, finds, explorations, and monuments from all over the globe. The website is called ‘Ancient Origins’- http://www.ancient-origins.net/searchall/malta

As one can see form the particular page I pasted, this site has a number of articles focusing on Malta’s international importance and its incredible historical aspect. Something which I feel that we, as Maltese, unfortunately do not give as much value to as we should.

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What is great about the website is that one can create an account, which works through a point-awarding system. What this means is that anyone with an account is awarded a number of points each time s/he comments on an article, gives a contribution, posts a message on a forum or shares an article on Facebook or Twitter, and with these points there are redeemable gifts and items one can get for free, like books, historical representations of statuettes, etc.

I’m really loving this page and have been hooked on it ever since I discovered it at the beginning of the week. There is so much to read and research on so many topics! I even found where series like ‘X-Files’ and ‘Supernatural’ (not to mention a number of epic fantasy novels) got their ideas from! Astounding!

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