Have you visited the Picasso Exhibition in Valletta?

It is a truth universally acknowledged that unless you have actually been to the place you are writing about, you cannot write a good review, give suggestions, or try to ‘teach’ people anything about it. Seems like common sense right? Well, actually it is 🙂 

I love travelling. That is kind of obvious to anyone who knows me or who follows my articles or blog-posts. However, that being said, and travelling apart, first and foremost it is important to know and appreciate the beautiful and significant places within your own country, before venturing farther away. Which is why I also love to just explore all the many architectural and historical, not to mention natural wonders in Malta, the island I live in. 

A few weeks ago, me and my boyfriend decided to grab the bus to Valletta, Malta’s capital city, instead of using the car as usual, and make a kind of adventure out of our excursion. I take the bus almost every day coming back from work, but my boyfriend never does, so venturing to Valletta in this way with him was fun as I felt as though I was seeing everything for the first time with his eyes somehow. It was a very special date, as we went somewhere quiet exceptional – to view the Pablo Picasso’s sketches which are being exhibited in Valletta right now.

Following Antonio Banderas’ work-related visit to our islands while he was working on the set for the forthcoming National Geographic Season 2 of the T.V series ‘Genius’, and portraying the great artist Pablo Picasso, a large number of the Spanish painter’s actual paintings are currently on exhibit in our shores. More specifically, the exhibition is taking place at the Grandmaster’s Palace, in Saint George Square Valletta. It opened its doors on the 7th of April and will be available to the general public until the 30th of June.

This exhibition is part of a major international project titled ‘Picasso-Méditerranée’, an initiative from Musée National Picasso in Paris held between Spring 2017 and Spring 2019. In fact, not only will more than 100 of Picasso’s works be on exhibit, but so will a number of the artworks pertaining to the Spanish artist Joan Miró – the painter, sculptor and ceramicist born in Barcelona. The exhibition, entitled ‘Picasso and Miró: The Flesh and the Spirit’, aims at bringing the public closer to the perception of two artistic creators who shook the foundation of traditional art.

The exhibition consists of a selection of 100 etchings from the Collection Suite Vollard which belongs to Fundación Mapfre and 40 paintings by Miro belonging to the Espacio Miró exhibition in Madrid. Fundación Mapfre is bringing this exhibition to Malta in collaboration with the Office of the President of Malta and Fondazzjoni Patrimonju Malti (FPM).

The two artists’ work was paired together because of the similarities that run through their style and creative process. This is the first exhibition of Picasso and Miro in Malta and perhaps of any modern painter of this stature. Pablo Picasso and Joan Miro are two of the 20th century’s most influential artists. While the first founded cubism, the second was active in the emergence of surrealism.

Following the exhibition, we roamed around Valletta and finally found a cute British pub and restaurant where to have lunch. A couple of beers were the perfect foil for such a day!

If you want to read more about Picasso and Miro’s exhibition, take a look at the article which I subsequently wrote for LivingInMalta magazine, here. Some of the info I wrote in this blogpost in fact comes from my article itself, but I urge you to visit the magazine for the whole thing.

Susan Waitt’s Night Gallery – Halloween Interview

My first personal meeting with American artist Susan Waitt occurred some years ago at a private spiritually-themed event and reception, taking place in a certain ex-bordello in Valletta. Her colourful, vibrant outlook and curiosity immediately struck a chord. A Scorpio, the Connecticut-born artist worked as an illustrator for a Disney studio in Massachusetts, hosted her own American TV talk show and was an artistic director and writer for Liquorish TV, to name but a few of her achievements.

On the other hand, her gothic, surreal artwork seems to spell quite a different character; more dark, more mysterious, but still very intriguing. Waitt’s perception seems to filter and reproduce vagrant metaphysical ideas of succubi and the supernatural; sinister presences which may as well hide within each and every one of us, or even behind the closed door around the corner.

What prompted you to come to live in Malta?

Originally, I came here to co-organise an international conference on the consciousness of the Megalithic Temple builders, and somehow, I never left. I’ve lived in Malta for nine years.

From Disney artwork to the grotesque: How did one category of art evolve into the other?

The concept of the grotesque in art and literature speaks to something profoundly basic about human nature, and the nature of existence itself. In fact, Disney perfected for a general audience the interplay of paradoxical opposites such as fear and laughter, aggression and playfulness, and the merging of bizarre, carnivalesque atmospheres with rational and logical realities. Think of all the terrifying moments in Bambi, Peter Pan, and Snow White to name just a few animated feature films. My art evolved from this quite naturally, in that I felt like it was part of the whole circle of life, since the spectrum of experience was all there in Disney already.

 

Of course, I was always drawn to Bosch, Goya, Fuseli, Moreau, Dali and many other artists who portrayed what was dark, subterranean and wrapped in ineffable mystery. Now, having grown older and somewhat wearier of the world, it often appears to me that there are also precious gifts within the darkness of the human mind – depth, profundity, nuance and complexity. Intense contrasts of light and dark add a sense of drama and therefore a sense of awe. Awe is a key aspect of the experience of the sublime.

Is there a particular unifying theme within the exhibition?

I deliberately used Victorian Spiritualism and mediumistic séances together as a unifying trope or motif, because I felt it represented the collective desire of humanity to probe the unspeakable enigma at the centre of existence.

What is your method of creation?

For many years I painted in acrylics only, especially for large-scale mural projects. Now with my studio work, I usually first execute an unfinished acrylic under-painting, usually on a toned background and then finish in oils. When I was working as a commercial book illustrator for Disney and Fisher Price, I was constrained to lay out book galleys meticulously. That required sketching and sometimes re-sketching scenes and finishing with inks, water colours and airbrush. In recent years, I started executing artworks with the same absolute freedom and energy that I had usually reserved for my free-time sketching and doodling. I’m producing art directly onto the canvas now.

 

 

This article/interview appeared on EVE Magazine on 22.10.2016 – Please follow the link to read the rest of it: http://www.eve.com.mt/2016/10/22/susan-waitts-night-gallery-the-uncanny-the-sublime/