Tale of Tales – Movie Review

Genre – Adult Fantasy/Horror
Length – 2hr 14mins
Released in – 2015
My Overall Grading – 4 Stars

Tale of Tales (2015) is that blend of gothic fantasy weirdness which usually immediately catches my attention. As soon as I watched its suggestive atmospheric trailer, I craved to behold the whole movie, and I must say, I wasn’t disappointed.

Let me say this first and foremost – if you’re expecting yet another re-imagining of some popular children’s fairytale like Cinderella or Snow White, you’ll be disappointed. Actually, not even those narratives commonly known as fairy tales are meant for children at all, and only started to be projected that way for the multitudes, after severe editing and further changes by various 19th century writers, such as Charles Perrault and the Grimm Brothers .

Tale of Tales, an Italian-Franco-British production derived from the 17th century collection of tales known as Il Pentamerone and written by Neapolitan poet Giambattista Basile, can be described as an adult fantasy horror, or at best, a metaphorical cautionary tale.

Sinister, yet strangely sensual. Strange but graceful. Haunting yet moving. This movie is a strange experience and definitely not for children. Tale of Tales has three different and yet finally entwined story lines. On the one hand, we encounter the King and Queen of Selvaoscura, who, true to fairy tale canon, are having difficulty producing an heir. A wandering wizard tells them that to do this, they must find and kill a sea monster, and the Queen (Salma Hayek) must eat its heart. It’s portrayed as a horrifyingly huge bloody mass where she eagerly devours the organ on a silver platter.

The second tale takes us to Roccaforte, where a sexually voracious and dissolute king – played by Vincent Cassel – spies on a woman shrouded in a mantle, whom he believes to be a pretty young beauty, but who in reality is a hideous old crone. The crone’s only treasure is her loving relationship with her sister, who is also an old woman. The king hounds what he believes to be a new conquest, bullying and pressing the two sisters, who don’t know which way to turn without revealing their true identity and being punished for it.

The third story arch follows the King of Altomonte and his daughter Violet. The King (Toby Jones) is a shallow and comic creature, prioritizing the care of an unusual flea over that of his own daughter.

Throughout the three story-arches, the one constant emotion is that of obsession, which, we are shown, is the heart of all evil. Obsession vies with what is supposed to be the love of someone’s family. The Queen of Selvaoscura is obsessed with her son, which is why she seeks to destroy any ties he could have with other people. The King of Roccaforte is obsessed with claiming every young woman he sets eyes on, which results in betrayal, suffering and death. The King of Altomonte and his ridiculous obsession with the flea to the exclusion of all else brings about terrifying consequences.

Flea-petting, heart-eating, rape, flaying, betrayal, morbid jealousy… All this and more makes the movie a very strange and curious beast; a truly horrific Renaissance fairy tale. No wonder that, unlike other tales penned by Basile, these three weren’t even adapted to be read by children. Other tales of his, however, have inspired more well-known fairy tale writers such as Hans Christian Anderson and the Brothers Grimm. In this case, the three tales explored and adapted for the screen – The Enchanted Doe, The Flea and The Flayed Old Lady – serve as a dark metaphor to show that real love of one’s family members doesn’t mean warping them into suiting our own wishes and desires, but accepting them for who they are, even if this means letting them go.

The movie also sports beautiful visuals, as filming locations include stunning palaces, haunting forests and beautiful gardens in Naples, Tuscany, Abruzzo and Lazio, amongst others.

I truly recommend this movie to all those who are lovers of the unusual and the artistic – those who appreciate dark humor and black comedy, and who enjoy finding revelations of the truth couched in veiled metaphors and tragic-comic allegory, rather than stark black and white fables.

A version of this article written by me was originally published on Eve magazine.

Discovering Ħasan Cave – Malta

The cave of ‘Ħasan’ or ‘Għar Ħasan’, which, legend says, was once the hide-out of a 12th century Saracen rebel, lies within the cliff-bound coastline south of Birżebbuġa, 2 kilometres south-west of Kalafrana. Ħasan’s Cave is approximately 387 metres in length and is to be found 70 metres above sea-level.

The views from the cave itself are amazingly beautiful. Situated on a narrow precipice and commanding spectacular views of sheer rock-faces and brilliant blue sea, the experience is definitely worth the effort. To enter the cave, one can leave his/her car in the nearby parking lot, and then make his way up a number of steps heading up to a limestone cliff. One is then faced by a narrow path carved out of the cliff. There is a rail guard which the visitor can use to brace himself along the path, however if you are faint-hearted or afraid of heights, I’m sure it’s not going to be one of your favorite places. The brave Saracen in question did not even have this path, and legend tells us that he used a knotted rope tethered at the entrance to enter the cave.

Once you arrive to the main entrance, be sure to have a torch at hand. The main entrance to the cave itself is approximately 5 meters high and 6 meters wide, and the cave has these same dimensions for the first 20 meters or so. Unfortunately an iron-gate bars the access to the inner cave, probably due to possible danger. One can however, enter the man made circular chamber present near the eastern entrance. This small chamber has a stone bench around its edge and obvious pick marks on the wall. It is thought that this could be Ħasan’s own living quarters.

In the 1980s, a number of cave paintings were also discovered within the cave. The art was preserved beneath a stalagmitic layer, and although it was badly vandalised since its discovery, some of the rock art can still be seen. The original art was reproduced in manuscript-form, which is to be found at the Museum of Archaeology in Valletta.

There are a number of different versions of the legend of the cave. The most popular of these tells the story of the Saracen Ħasan who abducted a beautiful farm girl in the 11th century A.D, after the island of Malta was conquered by the Christians, and held her captive in the cave where he was hiding. This angered the locals, who investigated the Saracen’s whereabouts, found the cave, and attacked it together with some soldiers. The story has a tragic ending unfortunately, since, rather than be captured, Ħasan flung the girl into the churning sea below, and then jumped after her and committed suicide.

No one knows where this legend actually originated, and there is no written record of it, and no facts which lead one to suppose there is actually any truth in it at all. It is highly possible that some scavenger, escaped slave or even a criminal did in fact, live in the cave at some point, however one must suppose that the murder-suicide story is nothing but a cautionary tale for young girls.

While the area is currently cordoned off, due to the falling rocks of the cliff, intrepid hikers do somehow still find a way to enjoy and appreciate this picturesque spot. However if you are the adventurous type, I would definitely suggest not going alone, not only for safety reasons, but also because certain experiences, when shared, are much more precious.

This article was written by me and originally published on http://livinginmalta.com/places/hasan-cave-birzebbuga/