Visiting Blair Castle in Scotland

Blair Castle, found near the village of Blair Atholl in Scotland, is located between Perth and Inverness in Highland Pertshire. Being the ancient seat of the Dukes and Earls of Atholl, and strategically located in the Strath of Garry, it holds an important place in Scottish history, both strategically and culturally. Whoever held the Castle was gatekeeper to the Grampian Mountains, and the most direct route to Inverness, which is also the reason why Blair Atholl itself possesses such a colorful history. It is situated at the entrance of Cairgorms National Park and surrounded by a magnificent backdrop of hills and forests. The village of Blair Atholl itself in fact grew up as a means of supplying the Castle, and lies at the confluence of the Rivers Garry and Tilt, 10 miles north-east of Pitlochry. Blair Castle is the focal point of the Atholl Estates, which once covered 350,000 acres, that is, 141,640 hectares of the Scottish Highlands. Currently, the estate lies on 145,000 acres, that is, 58,680 hectares, making it one of the largest in Scotland.

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Blair Castle stands on the ancestral home of Clan Murray, as it was historically the seat of their Chief. The first known structure to be built on the site dates at least to the mid-13th century, and the oldest part of the present Castle is known as Comyn’s Tower, which was built in 1269. This was commissioned by John I Comyn, Lord of Badenoch, who wasn’t even the legal owner of the estate at the time. Comyn was in fact a neighbor of the rightful owner, David I Strathbogie, Earl of Atholl, who started building on the Earl’s land while this was away on crusade. When the Earl came back home, he found the interloper building on his land and complained about it to King Alexander III. The Atholls won back their land, evicted the Comyns, and incorporated the tower into their own castle.

In 1322, David II Strathbogie, Earl of Atholl lost his titles and estates after his rebellion against Robert the Bruce. The title was granted to a number of individuals until, in 1457, it was given to Sir John Stewart of Belvenie, King James II’s half-brother, as a reward for fighting against the Douglasses and Macdonalds. 

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The castle was engulfed in warfare once more in the 17th century during to so-called Wars of the Three Kingdom. At the time, the Murrays supported the Royalists, and this led to the castle being captured by Oliver Cromwell’s forces in 1652. These held possession of it until the monarchy was restored in 1660. In 1676, the restored King Charles II granted the title of Marquess of Atholl to John Murray, 2nd Earl of Atholl as a reward, and the 2nd Marquess was given the title of Duke in 1703 by Queen Anne.

During the subsequent Jacobite uprisings, the Murray family was divided as to its loyalties. In 1746, Lord George Murray, together with a force of Jacobites besieged his ancestral home in an attempt to regain possession of it, however before he could succeed he was ordered to retreat in order to fight elsewhere, at the Battle of Culloden. This was the last siege to take place on British soil. Afterwards, Lord George Murray went into exile and later died in Holland, George Murray, his oldest brother, died as a prisoner in the Tower of London, and James Murray, the 2nd Duke of Atholl, resumed residence of Blair Castle.

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James Murray in fact later inherited the title of King of the Isle of Man via his maternal grandmother. The title came with a huge income and properties, which helped fund his project of transforming the medieval castle of Blair into a grand Georgian mansion, tearing down turrets and castellations, in order to create a more fashionable residence. The 3rd and 4th Dukes also prospered, and the grounds around the Castle too were transformed and improved.

In 1844, Queen Victoria and her consort, Prince Albert, visited Blair Castle and stayed there for three weeks, during which the Queen granted the Duke of Atholl permission for the founding of the Atholl Highlanders as a private army. This is today the only private Army in Europe. During the First World War, Blair Castle was used as a Red Cross hospital. During the Second World War, the Castle was used to house a displaced private school and a number of evacuees from Glasgow. Blair Castle was one of the first private houses in Britain to open its doors to the general public, which it did in 1932. The 11th and current Duke of Atholl visits each year, while the Blair Charitable Trust runs the day to day management of the estate.

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Blair Castle is the focal point of a breathtaking historical landscape. Its extensive parklands in the impressive magnificent Highlands are set in a number of walks and trails, and the grounds themselves form part of superb woodlands. There is a deer park and pony trekking center close by, as well as a woodland adventure playground for young children. One can most easily arrive at the Castle through Blair Atholl village. Once one passes the handsome gates, one can use the visitor’s car park to the east of the Castle, from which one can choose to explore either the gardens first, or the visit the castle itself. If one chooses the castle, this is reached by crossing a small pleasant footbridge over the Banvie Burn and walking across a large open area.

The first room one sees as one enters the castle is the 19th century entrance hall. Two storeys high, with wood panelled walls covered by muskets, swords and shields, the Great Hall is truly a picturesque experience. Crossing the main hall, across the vaulted ground floor, the Castle tour continues with a grand total of 30 other rooms. These give a rich and varied impression of Scottish life over seven centuries, and give visitors of the castle the opportunity of understanding not only the way the Dukes and Earls of Atholl lived, but also historic customs and traditions.

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One of the most spectacular of the Castle rooms is surely the Tapestry Room, which is hung with Mortlake tapestries, once owned by King Charles I. The Victorian ballroom is also impressive, with its display of 175 pairs of antlers. All the rooms are filled with iconic period furniture and fine art, including a number of Jacobite relics, Masonic items, fine porcelain, and collections of weapon and lace. The present dining room was built during the 18th century. 

The six-storey Comyn’s Tower is the oldest known part of the Castle, dating back to 1269, although it was later re-modelled in the 5th century. In 1740, the 2nd Duke transformed the medieval structure into a stylish Georgian home, removing the turrets and applying fashionable Georgian finishings. 

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Some of the rooms at Blair Castle are in use today for a number of ceremonies and events. They can be used as conference venues, for private dinners, business functions, corporate meetings, special receptions, and even weddings.

Beyond the Castle itself are its grounds and gardens, which flourish over 145,000 acres, and most of which were laid out in the 18th century. To the north of the castle is Diana’s Grove, home to some of Britain’s oldest and tallest trees, while to the east one can find the famous nine-acre Hercules Garden.

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My article on Blair Castle was published on the Polish website castles.today. If you wish to read it in its entirety, please click here.

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Ghana – Traditional Maltese Folksong

Għana is generally sung by two or more singers called għannejja, who seat themselves at two opposite ends of the stage, retorting answers to each other in rhyme, usually without any planning or meditation. Għanneja vie with each other during this kind of singing, which involves satire and puns, often dealing with the faults of character of singers themselves, or of the characters or situations they are singing about. The singing involves musical accompaniment by one or more guitarists. The lead guitarist is called ‘il-Prim’. Between each stanza of għana, the lead guitarist plays il-prejjem, in which he or she shows their skills at guitar playing.

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The tunes are somewhat wild and meandering, but they also involve a certain kind of romantic beauty and harmony. As the singing starts, the audience tries to follow all the words being sung closely. Clarity of expression in the performance is expected out of every għannej. Moreover, the audience also expects singing to include the correct rhyming and a theme which is maintained throughout the song.

There are various types of għana. The ‘spirtu pront’, which is the most popular type, consists of short stanzas, normally sung by a group of two or more singers. This type of folk singing takes place in the form of a duel. This generally involves two styles of singing. The first one is called ‘the hitting back’. Four singers are involved; the first singer sings with the third person, while the second singer sings with the fourth one. The second style is known as the ‘impromptu reply’, and is normally done between two singers. While the first singer starts on his first two lines, the second singer continues the rest of the stanza, creating an interlocking melody. It is normal practice for the singer who finishes the last two verses to start the next stanza. This is called ‘għana maqsuma’, or ‘għana bil-qasma’, which means broken or shared singing. The spirtu pront and the għana bil-qasma require a great deal of quick thinking as well as the ability to rhyme. Singing usually lasts for an hour and comes to an end with a ‘kadenza’, which has two or more stanzas.

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Another type of għana is the għana tal-fatt. This consists of a long and elaborate narrative in verse form. It is called ‘tal-fatt’ because its theme usually deals with a particular deed, event or legend. The theme most dealt with is the lives of well-known local personalities or a sensational or tragic event. Sometimes, it also deals with a humorous topic, but the most popular theme is the gruesome details of a murder or crime.

Today, Għana singers are prestigious, since it takes skill and a considerable talent to be able to do so well. In Malta, għana and traditional folksongs are sung at festivals, fairs and tourist centers, as well as cultural events. Each June, the Malta Arts Council organizes a two-day music festival centered on Għana called the ‘Għanafest’.

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To read the full article, please go to http://livinginmalta.com/entertainment/ghana/

Easter Celebrations in Malta

Malta is a predominantly Catholic country, this means that most Maltese follow and adhere to a yearly religious calendar which gives importance to a number of recurring feasts and traditions. Among these, Easter is one of the most prominent periods, since it not only has a specific religious meaning, symbolizing the rising of Christ, but also coincides with the beginning of Spring, which also serves to bring new life in nature, better weather, a flourishing of crops, and add energy and verve to the life of each individual in general.

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During this time, numerous processions, plays, marches and celebrations take place throughout the islands of Malta and Gozo, since here, Easter celebration can be said to be at a par with Christmas. As in most Mediterranean countries, Malta starts to officially celebrate the Easter period with Palm Sunday, which this year will be on Sunday 9th April. Many activities take place even before that, during Holy Week, which technically commences on the Friday preceding Good Friday, when the statue of Our Lady of Sorrows is carried in a procession through the streets of Valletta and many other towns and villages. This is a historic and traditional demonstration, where penitents who have made certain vows or asked for intercession from above, walk barefoot through the streets behind the procession, with chains and shackles tied to their feet as a symbol of their guilt and willingness to atone for their sins.

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Prior to Good Friday, many believers also celebrate Maundy Thursday or, as it is known in Maltese, ‘Ħamis ix-Xirka’, whereby most churches are decorated with flowers, models of the last supper, pennons and other specific decorations. During Maundy Thursday, it is traditional for the devout to perform ‘The Seven Visits’, or ‘Is-Sebgħa Visti’, which entails visiting and praying at seven different churches. Maundy Thursday is also referred to as Holy Thursday or the Mass of the Chrism, since on this day, the Archbishop of Malta blesses the Holy Oils during a ceremony at St. John’s Cathedral in Valletta.

Good Friday, which is a National Public Holiday in Malta, is considered to be a serious and solemn occasion. Churches are adorned with dark colors, and several processions occur throughout most towns and villages in Malta and Gozo, where priests or devout carry different statues symbolizing the Passion of Christ. Most villages also prepare short dramas or plays, enacted by devout dressed as characters from the Bible. Processions are almost always accompanied by marching bands, playing funeral marches or religious songs.

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The mood of the celebrations starts to change on Saturday evening. This is known as Holy Saturday and while starting in a somber manner, culminates with a celebration whereby all churches are illuminated with candles, lights, song and the tolling of the bells.

Easter Sunday, starts with a procession which commemorates the Risen Christ. The most famous of all such processions which take place around the island is surely the one which takes place in Valletta, and which is organised by the Confraternity of the Risen Christ, which traces its origins to the 17th century. The procession is a festive one, accompanied by beautiful traditional tunes and statues. Children also form an important part of the procession, carrying traditional foods and sweets, of which the most important is surely the ‘figolla’. This is a Maltese sugar and almond pastry which can only be found served in Maltese bakeries and confectioneries during the period of Easter, since it is synonymous with this feast.

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This article was published on LivingInMalta.com – to view the complete article go here.

Maltese Traditions – Il-Quccija

Malta is a small island, and yet its multi-cultural history cannot be denied, since throughout the years it was conquered and influenced by so many civilizations. The Normans, the Phoenicians, the Romans, the Turks, the Aragonese (Spanish), the French, and the English, all left their footprints in Maltese culture and traditions, and this mix makes up the unique Maltese habits and customs we know at present.

Il-Quċċija, which could be roughly translated as ‘the choosing’ or ‘the choice’ is one of the ancient old traditions dating back to the 18th century, which is still predominantly popular today. A year after a baby is born, its parents organize a party and invite all the family members and close friends for the gathering. After having eaten traditional Maltese party food, drunk a drink or two and chatted to their heart’s content, the parents prepare a table, basket, or section of the room for the Quċċija. The aim of the Quċċija is to determine or try to prophesy which profession or career the child would have later on in life, depending on which object he or she would pick up from all those offered in the pile.

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This entails collecting and setting out many different items, all reflecting or relating to a particular profession, career or aspect of life. For example, a calculator denotes that the child will become a mathematician, a rosary that he would become a priest, a pen that he would be a writer and a book that he would be learned and wise.

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In the past, different items would be set forth for the child to pick up, depending on his or her gender. If the child was a girl, most often the parents prepared a dish or table containing a pair of scissors, meaning that the girl would become a seamstress, cooking items, a ribbon, which if picked, would mean that the girl would be a beauty, corn which denoted fertility, or an egg which used to signify that the girl would have a big and prosperous home. If the child was a boy, the items would reflect totally different professions. A stethoscope would definitely be one of the items, in the hope that the boy would grow up to be a doctor, if he grabbed an inkstand it would mean that he was going to sit for the bar and become either a lawyer or a magistrate, while if he touched a geometry instrument it would mean that he would become an architect or engineer.

Today, the tradition has changed to reflect the society we are currently living in. Careers and professions are no longer subject to one’s gender, therefore usually the same items are offered to the child at the ceremony, be they male or female. The items themselves too have evolved, in reflection of today’s technological aspect. A baby might therefore grab a computer mouse, pointing at a career in I.T, or a credit card, pointing either towards a banking career or at the promise of future wealth.

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In the end, there is really no strict list of items which must be presented, and parents tend to let the baby crawl around everyday things which are to be normally found around the household. The object the child touches first, tradition holds, will be a dominant aspect in his or her life.

This small ceremony, apart from being held in the Maltese islands, is also believed to be something of a custom in some remote parts of Sicily, Italy, and Greece.

This article was published on LivingInMalta.com – to read the whole article please go here

Għajnsielem and Fort Chambray

Għajnsielem, found on the southern coast of the island of Gozo, is the first village one meets as he leaves Mġarr Harbour towards the capital city of Victoria. The name of the village means ‘Peaceful Spring’, in reference to a number of natural springs in the area which were probably the reason why people settled here in the first place.

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Għajnsielem became an official Parish in 1855, with its Patron Saint being Our Lady of Loreto, and the village feast being celebrated each year on the last Sunday of August. It is also interesting to note that the island of Comino falls under the responsibility of the local council of Għajnsielem.

Though Għajnsielem is not large, it contains many popular places of interest, most notably the Prehistoric Temples of ‘Tal-Imrejżeb’, ‘Tal-Qigħan’ Prehistoric Temple, Lourdes Chapel, Mġarr ix-Xini Tower, Saint Cecilia Tower and Chapel, and Fort Chambray amongst others.

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Fort Chambray is an old fortress built at the top of a hill called ‘Ras it-Tafal’, or Blue Clay Point, which is situated between Mġarr Harbour and x-Xatt l-Aħmar. It started to be constructed in the year 1722, during the reign of Grand Master Antoine Manuel de Vilhena (1722 – 1736) of the Order of Saint John. Originally, the idea for building the Fort was for it to be a starting point to build a new capital city to replace the Citadel (Ċittadella), however this plan never came to fruition, and in fact the actual completion of the fort was shelved for some time due to lack of funds. It was in 1749 that a Norman Count of the Order of Saint John named Francois Chambray offered to finance the full expense of the construction, which is why the fort was named after him. During that time, the islands were under the governance of the Grand Master Manuel Pinto de Fonseca (1741 – 1773). The Fort was built in order to safeguard the island of Gozo from pirates, and it was finally completed in 1758. It was used to house the Government’s Palace, administration buildings, and a chapel.

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In 1798, Fort Chambray saw its first military use, during the French invasion of the Maltese Islands. The knight De Megrigny, who at the time commanded the Fort, offered it as a place of shelter for many Gozitans, who took refuge inside with their livestock and possessions.

Unfortunately, the Fort was later forced to surrender, after which it was manned by a French garrison. Months later, the Gozitans rebelled and re-took possession of the Fort…

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This article was published on LivingInMalta – to read the rest of it, please go here.

The History of the Maltese Carnival

Carnival in Malta has a long history. The word itself originates from the Italian phrase ‘carne vale’, which means ‘meat is allowed’, since Carnival itself is usually celebrated before the start of Lent, during which meat consumption was not permitted by the Catholic church.photo-by-photocity-3-copy-1100x616

Although the origins of Carnival themselves have pagan roots, tracing back to the follies of the Roman Saturnalia and beyond, we first find actual traces of it in the Maltese islands as of the 1400s, as records were found at the general hospital which indicate that patients were given special meals for this festivity. Food and drink in fact are an important aspect of Carnival, as is the wearing of masks and costumes, signifying the suspension of the normal order of things where social class was all-defining. During Carnival, everyone could make merry. It was a time for jokes, laughter and pranks.

Carnival festivities increased during the time of the Order of Saint John, and the traditional ‘parata’, the sword-dance marking the victory of the Maltese and the Knights against the Turks during the siege of 1565, was introduced. The ‘kukkanja’ was also introduced at this time, this was a sort of game whereby all sorts of food and sweets were tied to a tree-trunk, and the general public was allowed to run and climb the trunk to pick items of food as presents.

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Carnival started to decline during the 19th century when the British governed the islands, as it was not part of British culture, however it still managed to survive. ‘Veljuni’ or masked balls were held in major theaters around Valletta, and even the British governor used to take part in the revelry. When Malta was granted the Constitution in 1921, Carnival evolved even further. Since 1926, outdoor Carnival festivities started being organised in Valletta by special committee. Carnival started to include a défilé of floats, carts and cabs featuring imaginary colorful figures, manned by young people in costume who would blow whistles, throw colored confetti, sound horns and jeer at the crowd while wearing beautifully crafted costumes. Shops or organisations sponsored these floats and they used the event also as an advertisement for their products. In fact, carnival boosts business since street hawkers, vendors and shopkeepers, not to mention bakers, start to plan for it well in advance.

Up to 1974, a part of Valletta’s main square was fenced to create an enclosure which offered space for dancing. Later, the enclosure was relocated to Freedom Square, however when this was closed for the building of Parliament, the enclosure was taken back to Saint George Square.

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Many people could be seen masquerading through the streets as of pre-war days. Some dressed up as ghosts, demons, clowns and fairies, while others simply wore masks. The Maltese Carnival always contained an element of political satire. Grotesquely costume masquers, not to mention floats or ‘karrijiet’ which derided and caricatured particular events and prominent figures, were and are plentiful during this time.

This article was published on LivingInMalta.com – a complete version of it can be found here.

Costumes trending this Halloween

 This year has been an iconic one for promoting fantastical characters, outlooks and styles. The media, not to mention the big and small screens, have done the best they could to dazzle, wow and impress us with an array of fashionable, cheeky and even retro looks. Last year, apart from the usual sexy nurses, she-devils and guys wearing a boiler-suit, Halloween was populated with Elsas, zombies, and even wanna-be Kim Kardashians.

Here’s what I’m betting we’ll see a lot of this year:

The Joker – This one never seems to get old, especially since the big screen seems to be re-inventing a new version of him every other year. In his last transformation, I must admit that he looks less like something that’s come out of a comic book and more like something that’s come out of a crayola factory, with some pesticide-induced euphoria thrown in. Thank you Suicide Squad

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Harley Quinn – Yup, kind of the female version of the above, except that she’s wearing a ‘F*** me Daddy’- I mean, a ‘Daddy’s Lil Monster’ T-shirt, and a pair of panties which I’m guessing are supposed to be micro-shorts. For those who don’t know, at the beginning of the story, Dr Quinn is actually a very smart psychiatrist working at Arkham Asylum. Her brains seem to fly right out of the window when she meets and becomes obsessed with the Joker, and she decides to chuck over her life and career to join him as a cute sexy sidekick. After all, that’s what women in love do right? Again, cheers Suicide Squad.

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Assassin’s Creed – This on-going franchise never seems to lose its fascinating historical charm. 2016 not only saw the release of the Assassin’s Creed’s Chronicles last February, but finally also marked the completed filming of the eponymous movie, which was also partly filmed in Malta, and which will be out in theaters next December.

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To read the rest of the article, which was published on EVE magazine follow the direct link: http://www.eve.com.mt/2016/10/25/costumes-trending-this-halloween/

Maltese Door Knockers

One cannot visit Malta without noticing the typical Maltese architecture prevalent in most cities and villages around the islands. When it comes to the embellishment of their traditional houses and monuments, the Maltese are one of the most colourful and creative country in Europe, decorating their facades with picturesque balconies, sculptured windows and shutters, and whimsical door-knockers.

History tells us that in pre-medieval and early medieval times, people did not knock on doors, but in fact used to scratch at them in order to announce their presence. Today, this may sound very strange and unpractical, yet one must remember that few if any Maltese used to actually lock their doors at the time, and that bashing at one’s facade was considered quite rude.

With the passage of time, the practice of scratching at doors was replaced with knocking, and this is how the “ħabbata” or door knocker, entered the picture. These door-knockers, which were available in numerous motifs, shapes and sizes, were to be found on every town house and dwelling, and helped the residents to either open or close their doors more easily. Door knockers could be made of ceramic, metal, or even brass, and each door usually had two of them – one on each side, or wing, of the main door, which was thus given a more stately and elegant look.

At the time, these door knockers were very important in that they served as a symbol of the status of the family who lived within the walls of the particular house. Knockers consisting merely of a plain ring denoted a simple family, whereas more elaborate rich knockers were a sign of affluence and power. The door knockers also reflected the personality and even the work or history of the family, in that they could portray the family crest or an allusion to it.

There are different types of door knockers in Malta.The traditional type consists of a ball or boss with holes at the side, from which a heavy semi-circular ring hangs. Usually in the middle of this ring, there is a small ball which hits against a round boss fixed to the door at a lower level. These types of knockers, which were often coloured black, could be found on all types of urban or rural buildings, even farmhouses. With time, more elaborate door knockers started to be crafted or imported. Sometimes the knocker ball was transformed into the head of a slave, an animal, a gargoyle, or a family crest. These would have holes in their faces or main part, from which a semi-circular ring hung. The sea-faring nature of the island was reflected in many of the most recurrent motifs like dolphins, seahorses, and sirens.

The upper classes and the members of the aristocracy had large baroque brass door knockers fixed to their main doors, in order to impress any visitor who might come to call. Door knockers also advertised the level of cleanliness of the house, as their shine would show the visitor that the family could employ maids who took care to polish and wax such decorations regularly.

As time passed, mechanical doorbells and intercoms started to take the place of door knockers, in that these were actually cheaper and produced a louder sound. Nonetheless, many people not only maintain the traditional knockers, but also continue to commission new designs, in a bid to conserve and highlight the unique identity of Malta, and preserve its heritage.

Just take a relaxed stroll down the idyllic cobbled streets of Valletta, Mdina or Cittadella, not to mention other typical villages like Qormi or Birkirkara, and you will certainly have the opportunity to admire many of these authentic works of art.

This article of mine was published on http://livinginmalta.com/miscellaneuos/maltese-door-knocker/

Valletta – Malta’s most Precious Treasure

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I like to think of Valletta as a stately elderly Dame. Alone in the early mornings, she waits gracefully, bedecked with sumptuous jewels and laden with the memories of generations. Her straight, narrow streets are the wrinkles on her brow. The doves, cooing on the balconies, precede the droves of people which visit her every day. Lady Valletta – old and proud, and yet resplendent in her unique glory. No matter how many times I visit her, I always learn or discover something new. She is a real Maltese matriarch.

Valletta – a medieval historical city filled with grand palaces, museums, inspiring architecture and heritage sites. But it’s also a social hub sporting a shopping mall, professional offices, tasteful restaurants and chic coffee shops. It’s a nightlife spot and a place where one can purchase or sell any daily need imaginable.

Valleta is THE place to visit in Malta. Want to read the rest of my article? It was published on eve today – http://www.eve.com.mt/2016/07/04/valletta-our-most-precious-treasure/

The Hypocrisy of the word ‘Tradition’ in Malta

It is intrinsically hypocritical how society sometimes uses the word ‘tradition’ to cloak its most disgusting habits. As though ‘tradition’ were an excuse. Yes, we are the only country in the European Union which sanctions spring hunting. It’s ‘tradition’. Yes, we have ‘karrozzini‘, that is small horse-drawn carriages which clog the streets and pester tourists to slowly view the capital city while riding, jostling and sweating, on malnourished and dehydrated horses at exorbitant prices – it’s ‘tradition’. Yes, many people pen said horses in small unlighted rooms where they have to stay for days on end in the sweltering heat, beat them into submission when they make too much noise, and snap at anyone who dares to say that Malta is not a country which can support such big animals, since we do not have extra land to pasture them and let them graze in (we ARE a fairly small island after all), but hey, it’s ‘tradition’!

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What about all those minorities who do not fit into what the masses still think of as ‘tradition’? How about that monstrously glorified institution – the ‘traditional’ family? During election-times super-inflated posters portraying dear grandma with her knitting, grandpa and his bushy eyebrows, handsome daddy, petite MILFY mommy, a Pollyanna-like daughter, a buck-toothed cheeky son, a fluffy dog and a charming cat, swallow streets, roads, roundabouts and every blank wall imaginable – what about all the single-parent families? What about families where there is only one grandma and one daddy, but no mummy? What about, all the gods forbid, having two parents of the same gender? What about couples without children? Of course, these do not fall within the ‘traditional family’ type the archbishop of Malta loves to talk about in his sermons, so they are ignored like the plague.

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Some time ago, while going to the hairdresser’s after work, I was stupefied and stunned when, as I was passing in front of a private meeting place for a particular Christian group, I saw a notice quoting the Bishop and the Archbishop. I simply had to stop and read it, even though it turned my stomach. No, I am not going to go into details here, suffice it to say that the description of the ‘traditional family’; what it ought to be, and what it ‘has become’ due to the distancing of the people from the church, was simply illuminating.

Honestly, one must not only be blind and obtuse and totally out of this world to not realize WHY people are alienating themselves from this kind of mentality. About bloody time too! How anyone could swallow this type of elitist hatred-inducing bullshit is quite beyond me. Some people just like feeling that they are part of a ‘special’ club I suppose, even though it sucks. It’s like the bullies at school. They usually conglomerate in a group because this makes them feel like they are better than everybody else – the superior race of hypocritical opportunism if you will.

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I am not saying that every Christian is like this, nor that every religion is (though yes many individuals DO view religion in this manner – talk about psychosis), however this mentality of exclusion is unfortunately permeating Malta, and it has been doing this for as long as I can remember. Shall we clap our hands and swallow it all, simply because this corrupt and intolerant mentality is ‘traditional’ – in that it has been unchanging in a long time? Well, apparently as soon as one affixes the magical word ‘tradition’ to something, it becomes untouchable, so… why not?

*Sigh*

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I hope you DO get my world-weary sarcasm here?